Interview mit Jane Third
Lesson time: (13min 59sec)
In dieser Lektion spricht Jane Third, Chief Creative Officer von PIAS und zuvor SVP für A&R und Marketing bei Because Music, über die Rolle von Plattenlabels und wie sie deine Karriere als Künstler voranbringen können.
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This lesson is part of the course Wo ist das Geld? Einnahmequellen für Künstler erkunden
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Lesson transcript:
Music Industry Insights from Jane, Chief Creative Officer at Piaz
Introduction
Hello! My name's Jane, and I'm the Chief Creative Officer at Piaz, a large global, independent distribution and label services network. I've been in this role for about a year, previously running an independent label called Because Music in the UK, where I handled art direction, A&R, sales, and marketing.
My Role at Piaz
At Piaz, I work with a large A&R team, graphic designers, and videographers. My focus is primarily on:
- Signing artists
- Making records
- Content distribution
Evolution of Distribution
Traditionally, music distribution involved physical records, wherein products were shipped from warehouses to shops. This included face-to-face sales, persuading stores to stock records.
Now, with digital distribution, the approach has transformed:
- Fewer outlets like Spotify, Apple Music, and Google Play
- No physical products, it's about uploading content
- The role resembles that of a traditional radio plugger, focusing on getting music heard.
How Digital Distribution Works
A digital distribution company operates by:
- Providing sales services
- Analyzing backend data to identify tracks with upward trajectories
- Scheduling meetings with teams at platforms like Spotify and Apple Music
Playlist Management
At these meetings, we present priority projects for consideration. The playlist team at Spotify, for example, consists of only five or six individuals who manage thousands of tracks weekly.
We share:
- Early access to tracks
- Insights from data trends
- Recommendations for playlist placements.
Label Services Model
Some distribution companies offer label services. Here's how it differs from traditional distribution:
- Traditional Deal: An 80/20 split in favor of the artist.
- Label Services: Typically involve financing for marketing and content creation. This financing is recoupable against income, often resulting in a higher commission for the distributor (around 30%).
Importance of Artist Support
Label services are beneficial for:
- Artists with strong management who can handle tasks like songwriting, collaboration, and creative development.
- Artists needing long-term support to build their careers, as opposed to quick successes.
Understanding Royalty Deals
In the industry, there's ongoing debate about the merits of:
- 50/50 Deals: These deals may seem attractive but involve recouping all project costs before the artist earns any royalties.
- Royalty Deals: Typically favor artists more at the outset, providing payments from the first sale, though the split may be less favorable (e.g., 20%).
The Artist's Long-Term View
Having a label committed to your career is crucial for longevity in the industry. A label's investment in multiple releases can contribute significantly to an artist's sustained success.
How to Get Attention from Record Companies
To attract record companies:
- Create Amazing Music: Quality music will get noticed.
- Build Buzz: This often comes organically as people discover your music.
- Develop Your Story: Present who you are as an artist, which can engage your audience.
Steps to Take
- Produce content for social media.
- Seek managers as a structural foundation.
- Connect with PR companies for visibility.
Advice for Emerging Artists
Key Takeaways
- Be Exceptionally Good: You need to stand out as an artist.
- Focus on Your Art: Use every bit of energy to create the best possible music.
- Get Legal Representation: If approached by labels, consult a lawyer before signing anything.
Conclusion
The music industry is vast and evolving, and while there's much to discuss, I hope my insights were helpful. For more about Piaz, visit www.piaz.com. Thank you for listening!
About the instructor

Sammy Andrews ist die Gründerin und CEO von Deviate Digital, einer Digitalstrategie-Agentur, die Künstlern, Labels und Musikunternehmen dabei hilft, Publikum aufzubauen und online ihren Lebensunterhalt zu verdienen. Sie ist eine der offensten Stimmen der britischen Musikbranche zu Streaming, Daten und digitaler Wirtschaft und eine langjährige Verfechterin der Rechte von Künstlern – unter anderem durch ihre Arbeit mit der Featured Artist Coalition.In diesem Kurs schlüsselt sie auf, woher das Geld für aktive Künstler heute wirklich kommt: die Einnahmequellen, die Rechte, die ihnen zugrunde liegen, und die praktischen Schritte, mit denen du sicherstellst, dass du fair bezahlt wirst. read more




