Honky Tonk: Walking Fiddle
Lesson time: (5min 38sec)
Der Walking-Fiddle-Stil, gespielt von Tommy Jackson
Course preview
This lesson is part of the course Bluegrass- und Modern-Country-Fiddle
Watch a preview of the full course below.
Lesson transcript:
Honky Tonk Fiddling: The Walking Fiddle Style
Continuing with the Hank Williams honky tonk style of song, we're going to look at the particular style played by the fiddler, Tommy Jackson. He was probably the most influential of the session fiddlers in Nashville at the time.
The Walking Fiddle Technique
Tommy Jackson had a style which Bob Wills referred to as the walking fiddle. This is a very interesting and worthwhile style to learn. The nature of this technique is that you:
- Do double stops most of the time
- Walk from one chord to the next
Walking Between Chords
For example, from a G chord, you walk towards the next chord:
- From the G down to the D
- Then from the D down to the G
- And from the G down to the G7, then to the C
You are signposting each of the chord changes as they come, and it's really satisfying to do.
Sample Play
Let's hear that with the backing track. This creates a very smooth sound. It's ideal for playing behind the vocal; it doesn't get in the way, but it does add a lot in supporting the chords.
This technique does a very similar job to what the pedal steel does, filling out the sound.
Maintaining Movement
In the previous example, we were just walking from one chord to the next, pausing, then walking on. However, you can actually keep the walking going the whole time.
- After reaching the next chord, you can find somewhere else to go.
- Starting with the G chord, move to the second over fourth for the D chord.
So, we're walking the whole way through, it never really stops moving.
Understanding Chords and Double Stops
To be able to do this, you need to know what the chords are, at least subconsciously, even if not consciously. You must also know all of the double stops that would allow you to transition from one chord to another.
Let's hear that with the backing track.
Adding Melodic Fills
Finally, we can do something similar: walking from one chord to the next, but instead of keeping on walking, we can do a little melodic fill in the gap of the vocal.
In this case, we have a mixture of two approaches:
- The simple walking
- The little fill
You could do just the walking without the fill, or the fill without the walking. But it's really satisfying to do both.
Let's hear that with the backing track.
Your Assignment
For this, your assignment is to:
- Listen to and choose a couple of Hank Williams songs that you like.
- Work out the chords
- Try to work out a double stop walking line to follow those chords.
About the instructor

Chris Haigh ist seit 25 Jahren professioneller Fiddle-Spieler mit Erfahrung in vielen verschiedenen Genres. Er hat auf über 75 Alben gespielt und dabei mit Künstlern wie Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway und Steps zusammengearbeitet. Er hat Swing-Jazz mit The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London und den Quecumbar Allstars gespielt und leitet die siebenköpfige sowjetische Swing-Band The Kremlinaires. Chris gibt Unterricht und Workshops zur Jazzgeigen-Technik und hat Jazzgeige an den Universitäten Middlesex, Brunel und Newcastle sowie am Truro College unterrichtet. Zu seinen Veröffentlichungen zählen neun Fiddle-Bücher, darunter The Fiddle Handbook. Außerdem betreibt er Fiddling Around (fiddlingaround.co.uk), vermutlich die umfassendste und meistbesuchte Quelle für Fiddle-Wissen im Netz. read more




