Honky Tonk: Nashville Shuffle
Lesson time: (3min 12sec)
Chris Haigh unterrichtet den Nashville Shuffle, die treibende Honky-Tonk-Bogentechnik, die die lange Note in zwei teilt, und zeigt, wie man sie in Stücke wie 'Banks of the Ohio' einflicht.
Course preview
This lesson is part of the course Bluegrass- und Modern-Country-Fiddle
Watch a preview of the full course below.
Lesson transcript:
Nashville Shuffle in Music Lessons
If you remember, way back at the beginning of this course, we mentioned the Nashville Shuffle. This technique was used to some extent by the early old-time fiddlers and the early commercial fiddlers. However, it truly came into its own in Nashville during the Honky Tonk period.
The Role of the Nashville Shuffle
During this time, session fiddlers were asked to play on completely new songs and make them sound as though they had been around for a long time. The Nashville Shuffle became a very useful approach for:
- Intros
- Solos
- Backing
This is how it got its name, the Nashville Shuffle, because it was something that all the Nashville fiddlers did.
Technique Breakdown
In this context, we're going to introduce a slight modification:
-
We are splitting the long note into two short notes while keeping the same bowing. This helps maintain a driving feel, unlike the alternative approach which can sound very mechanical.
-
While the rhythm remains the same, the long note is divided into two short notes, creating a much more flowing sound.
Practical Application
Taking this concept to "the banks of the Ohio," we have this:
(Insert musical example here)
I noticed that I wasn't religiously sticking to the shuffle all the way through; I included a few fill notes and melodic notes to connect the different chords.
Flexibility of the Nashville Shuffle
The Nashville Shuffle is something you can dip in and out of. It's a versatile technique that Tommy Jackson certainly utilized a lot.
Assignment
For your assignment for this lesson, try doing exactly the same thing in different keys.
- For example: C, D, or A.
Happy practicing!
About the instructor

Chris Haigh ist seit 25 Jahren professioneller Fiddle-Spieler mit Erfahrung in vielen verschiedenen Genres. Er hat auf über 75 Alben gespielt und dabei mit Künstlern wie Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway und Steps zusammengearbeitet. Er hat Swing-Jazz mit The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London und den Quecumbar Allstars gespielt und leitet die siebenköpfige sowjetische Swing-Band The Kremlinaires. Chris gibt Unterricht und Workshops zur Jazzgeigen-Technik und hat Jazzgeige an den Universitäten Middlesex, Brunel und Newcastle sowie am Truro College unterrichtet. Zu seinen Veröffentlichungen zählen neun Fiddle-Bücher, darunter The Fiddle Handbook. Außerdem betreibt er Fiddling Around (fiddlingaround.co.uk), vermutlich die umfassendste und meistbesuchte Quelle für Fiddle-Wissen im Netz. read more




