Akkordformen

Avram Siegel
Avram Siegel

Lesson time: (4min 43sec)

Über offene Akkorde hinaus erklärt Avram, wie man Akkorde über den ganzen Hals hinweg miteinander verbindet.

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This lesson is part of the course Banjo für Anfänger mit Avram Siegel
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Lesson transcript:

Chords on the Banjo: Understanding Closed Shapes

Okay, before we go any further on songs, let's learn something about chords on the banjo.

Open and Closed Chords

We've learned some open chords so far, which have open strings in them. But since all the strings on the banjo are in the G chord, there are only so many chords that have open strings.

Let's learn about closed shapes on the banjo.

What is a Closed Shape?

A closed shape is a shape that doesn't have any open strings. On the banjo, there are three basic chord shapes, and those are:

  1. The Bar Chord: This is the simplest and is just like the open chord shape.
  2. The F Shape: Named because that's the lowest chord where you typically find this shape.
  3. The D Shape: Looks similar to the F shape.

Practicing the F and D Shapes

The F shape and the D shape are actually very similar. A good way to learn them is to practice going back and forth between them without lifting your pinky or ring finger. You'll find that your ring finger or pinky wants to follow along when you start moving those other fingers.

If you can get those two to move independently, it will make changing the chords very easy.

Chord Groupings

Let's learn a couple of places where we're going to find those chords:

  • Most of the songs we're playing so far have G, C, and D in them.
    • G is shaped like this: ![G Shape]
    • C is shaped like this: ![C Shape]

Often, I'll just smudge my ring finger down to get those chords quickly. A D is right here. So, there's a really good grouping of chords that we need a lot, right in one area.

Another Grouping

There's a G up here. From there:

  • A C is right here.
  • A D is up here.

That's a good grouping, very practical, as they sound good together and are in close proximity.

Vamping Technique

Oftentimes, when you play just chords, you do something called vamping, which is playing three strings at once and then dampening the chord by lifting your fingers up.

You do this on the backbeat, with the basic bluegrass rhythm being:

Boom, Chick, Boom, Chick.

  • Chick part: Boom, chick, boom, chick, boom, chick, boom, chick.

Notice I shifted from the high area to the low area there. For now, the main thing you want to do is just learn those chord shapes.

Unlocking All Chords

Another thing to learn about chords is that once you're playing these closed shapes, you can play any chord there is:

  • G, G sharp, A, A sharp (or B flat), B, C, C sharp, D, E flat, E, F, and so on.

Anytime you know a closed chord, you can do that. All you have to know is where the sharps and flats are.

Understanding Sharps and Flats

Between most of the letter name notes, there's a sharp or flat:

  • The sharp being the note higher.
  • The flat being the note lower.

For example:

  • If this is a G, this is a G sharp, and this is an A.
  • G sharp is also an A flat.

There's no sharp or flat between E and F, and B and C.

Example Sequence:

  • G, A, B, C, D, E, F.
  • If this is D, then you can move through the sequence: D, E, F, G, A, B, C.

Happy practicing!

About the instructor

Avram Siegel
Avram Siegel

Avram Siegel ist Banjospieler und eine feste Größe der kalifornischen Bluegrass-Szene. Er hat unter anderem mit der Kathy Kallick Band und True Blue gespielt und unterrichtet seit Jahrzehnten - seine Schritt-für-Schritt-Methode hat einige der angesehensten jungen Spieler des Bundesstaates hervorgebracht. In seinen Kursen zerlegt er dreifingrige Scruggs-Rolls, Backup und melodisches Spiel, damit du in deinem eigenen Tempo ein sauberes Timing und einen sauberen Ton aufbauen kannst. read more

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