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Lesson time: (9min 0sec)
This lesson is part of the course The Secrets of Tone Production Part 3: Fundamental Tone Exercises Continued
Watch a preview of the full course below.
Lesson transcript:
The last part of the bow, before you change from up to down or down to up, is the place where you have to be extra careful. The danger is that you play forte again just before the change of bow, at the heel or at the point.
Remember:
Is this a good thing to practice?
Is this?
That was good.
Yes. Can you focus on non diminuendo?
What you need to be aware of is playing:
Right. Now then, what we need to achieve is a totally pure sound at the beginning of the bow. For instance, this one coming up here.
The thing is, if you think about it, if the bow doesn't move, however hard you press, you will not make a single sound. The only sound that can come is when the bow is moving.
So when you're beginning with the heel, you're moving the bow too slowly and too heavily, and you get the...
There, now, there.
Now, can you do the same thing in forte?
Because we want to go:
Now here, be careful. Well done.
I do think you should bend your thumb in:
Still more subito. That's it. Now do the same on the up bow. No, on the up bow, you...
Diminuendo.
And again, you can see these things visually. You can see the wood is down like that. It gradually comes up on the up bow, whereas on the down bow, it springs up.
That's what you need to do:
The place to be careful is the end of the up bow before going to the down. You don't want to suddenly go heavier or faster.
Well done. Now release.
Yeah. You know, Oliver, you don't want to go too fast because there is the speed exercise, which is different from the pressure exercise.
So remember:
Good. Now do two in one bow.
You see? You see just there, the change?
Can you just practice once?
Right here?
Yeah, that's it.
Try it here.
Can you get that at the heel? Get it as good at the heel as you did it at the point?
Yeah. Okay.
Then forte, piano. Keep it carefully there.
That's it. Now do two in one bow.
Stay a little nearer the bridge.
Turn around this way.
Now three:
That's it. Try four, four.
Do come right to the heel next time.
That's it. Very good. Now coming up is 8.
Now do 9:
Do 12:
Threes are 12.
Don't give a big accent on each of the four.
You don't want to do things like 1, 2, 3. Just even here.
So one.
Heavy.
Can you do five?
Each one:
4, 5:

Simon Fischer enjoys a distinguished and wide-ranging career as a performer, educator and recording artist. He has performed worldwide as a recitalist, and committed three Brahms Sonatas to record, a recording that received high praise in Gramophone Magazine. Simon is recognised as having a place amongst the world's elite teachers. He is a professor at the Guildhall School of Music, and has held positions at the Yehudi Menuhin School, Wells Cathedral School and the Purcell School, and for 15 years was a visiting professor at the Royal Scottish Academy of Music. Having studied in London with Yfrah Neaman, and in New York with Dorothy DeLay, Fischer's approach unites the best elements of the French, Russian and American violin traditions. Fischer's published work greatly influences the teaching of the violin. Having written for The Strad magazine since 1991, his monthly articles have attracted a worldwide following. Published by Edition Peters, his technique books Basics and Practice (translated into Korean, Italian and German), Scales and The Violin Lesson, and the DVD The Secrets of Tone Production (now available to stream via MusicGurus), have become standards on many continents. His book and DVD Warming Up was described by The Strad magazine as "23 pages of pure technical gold". In 2014 Simon Fischer was awarded the European String Teachers Association prize "In celebration of a lifetime contribution to String Teaching". In his four-part Secrets of Tone Production course, Simon guides you through getting to know your instrument and then working through his fundamental tone exercises step by step, so you can produce a richer, more controlled and more beautiful sound on the violin. read more