Lesson 10 of 14PianoIntermediate

James Booker Style Left Hand

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Paddy Milner shows how to build slow-blues bass lines from tenths in the style of James Booker, with a slowed-down stride feel and moving inner voices.

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What's in the course

14 lessons (1h 48m) · 1 free
    • 01. Demonstration - let's play a slow blues

      Free lesson

      4:30

    • 02. Left Hand Ideas

      11:26

    • 03. Introduction Ideas

      9:56

    • 04. Ideas Using 6ths

      9:34

    • 05. Memphis Slim Style Riff

      3:28

    • 06. Diminished Chords

      7:11

    • 07. Repeated Notes & Phrases

      8:34

    • 08. Turnarounds

      9:55

    • 09. Ideas For A Breakdown Section

      11:10

    • 10. James Booker Style Left Hand

      You are here

      6:58

    • 11. More Right Hand Ideas

      8:08

    • 12. Tremolos

      6:03

    • 13. Ending Ideas

      9:29

    • 14. Slow Burn - The Slow Blues Challenge

      1:41

Lesson transcript

Exploring Left Hand Techniques: Inspired by James Booker

Right, cool. Let's look at the left hand and explore some tenths, specifically, some techniques that James Booker might have employed.

Who is James Booker?

If you're not familiar with James Booker, please check him out. He was an amazing piano player with lots of great ideas from various genres. He is very steeped in the blues and gospel, but also embraces that broader New Orleans sound.

Bass Lines and Tenths

James would often create bass lines using tenths. It's almost like a slowed down stride kind of feel. He would incorporate movement in the left hand, adding interest and complexity.

Example Techniques

  • When transitioning to the IV chord, he might use:

    • Bass line: (Insert bass line example)

    Those are the kinds of techniques he would utilize.

  • In context, you can play that kind of tenth technique underneath the V chord. Here are a few ideas for different bass lines:

    • When you go to the IV chord, you might do something like this:
      • This creates a hip turn of the G7 into a 2-5-1 progression: D minor → G7 → C.
      • The root stays while the left-hand movement varies.

Contextual Playing

  • For context, when moving back down to the I chord, you could incorporate this bar leading up to the IV chord:
    • (Insert example here)

Here I was doing a kind of Stormy Monday run-up, which I believe I covered in the first video on the left hand.

Right Hand Riffs

Just to show you, here's a little right hand riff that James Booker uses. It involves rolling off the C sharp, transitioning from the major seventh to the dominant seventh, a technique he could execute incredibly quickly.

More Ideas for Using Tenths

Though not strictly a James Booker technique, consider this:

  • When going up to the IV chord, you could play something similar to:
    • (Insert example here)

So, in context:

  • You might play flat 6, then 5, before moving down to the IV like this:
    • (Insert example here)

I've been exploring a lot of anticipations lately, which seems to stem from that classic New Orleans piano style.

Conclusion

So, there we go! We've reviewed various ways to play tenths within a 12-bar progression to take the music somewhere new.

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Meet your guru

Paddy Milner

Paddy Milner

Paddy Milner is recognised as one of the leading blues piano players in the world - he is currently keyboard player of choice for Sir Tom Jones, following several years with the late, great Jack Bruce - but he is also a superb original songwriter and a distinctive singer. Just read the praise from the likes of Dave Brubeck below! His playing was featured on the soundtrack for the hit 2019 film 'Rocketman'.

He has twice won the award for Best Keyboard Player in the British Blues Awards, and he holds a long-standing residency as a founder member of the Ronnie Scott's Blues Explosion at the world-renowned Ronnie Scott's club.

His current group LONDONOLA plays homegrown British music with a strong dose of New Orleans spirit, and his collaborative group JAWBONE goes from strength to strength following the release of their self-titled debut album.

  • "I love it... there's a guy who can really play the piano" - Dave Brubeck
  • "I highly recommend it. Somehow things start to feel much better!" - Jack Bruce
  • "The best blues piano player in Europe..." - Blues Access, USA
  • "Impressive & original" - The Times
  • "Dazzling" - The Independent

Across his courses, Paddy breaks down authentic blues shuffle, slow blues, boogie-woogie, rock 'n' roll and New Orleans piano - right down to three classic boogie-woogie songs - so you can learn these styles from one of the very best in the business.

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