Little Waltz - Lesson

With
James RaeJames Rae introduces Little Waltz, your first piece in 3/4 time, and explains how the waltz feel differs from playing in 4/4.
Copyright © 2023 Universal Edition (London) Ltd., All compositions by James Rae except where otherwise indicated.
What's in the course
30 lessons (0h 35m) · 1 free
01. The Note E - Fingering and Exercises
3:00

02. Go For It! - Lesson
0:30

03. Go For It! - Performance
0:36

04. Little Waltz - Lesson
You are here1:15

05. Little Waltz - Performance
0:33

06. In The Park - Lesson
1:39

07. In The Park - Performance
0:42

08. Being There - Lesson
0:38

09. Being There - Performance
0:30
Lesson transcript
Music Lesson: Understanding Little Waltz in 3/4 Time
Now the next piece, Little Waltz, involves 3/4 time.
Time Signature Insights
- You might think that 3/4 would be easier to play than 4/4 because there is one less beat per bar.
- However, it's actually harder because it means that the next bar starts one beat earlier than in 4/4.
Here's the difference:
- In 4/4, you count: 1, 2, 3, 4, 1
- In 3/4, it goes: 1, 2, 3, 1
- As you can see, you're into the next bar much sooner.
Quick Thinking Required
- This shift means you have to think a lot quicker when you play in 3/4.
Characteristics of a Waltz
- A waltz is a dance in three beats per bar, and Little Waltz is an example of a little waltz.
Tips for Playing
- Be careful not to stretch the second note into two beats; otherwise, you'll turn it into a 4/4 beat.
- We don't want that! A lot of people make this mistake on their first attempt.
Feel the Pulse
- Make sure you feel the pulse:
1, 2, 3, 1, 2, 3. - The 1231 is the important beat.
30 lessons
0h 35m of structured video lessons
Advanced video features
Slow down, loop a passage, follow along
Mobile, tablet & desktop
Practise wherever you are
100% satisfaction guarantee
30-day money-back guarantee
Meet your guru

Meet your guru
James Rae was born on Tyneside in 1957. He studied clarinet, bass clarinet, piano and composition at the Guildhall School of Music and Drama from 1975 to 1979, under professors Yona Ettlinger, Stephen Trier, Meriel Jefferson and Patric Standford respectively. Since leaving the Guildhall, he has pursued a highly successful and varied career across three areas: performing, writing and teaching.
James Rae has worked in many West End and Royal National Theatre productions, including Sir Peter Hall's award-winning Oresteia with music by Sir Harrison Birtwistle, and has received many freelance engagements with some of the country's leading orchestras and ensembles. He is the leader of the Phoenix Saxophone Quartet, who over the years have given many recitals and BBC broadcasts, and have recorded the complete works of Carey Blyton on two albums, 'The Return of Bulgy Gogo' and 'Sherlock Holmes meets Dr Who'.
As a composer, James Rae is one of Europe's most published writers of educational wind music, with over 250 publications to his credit, mainly published by Universal Edition. His music includes instrumental study books, sonatas, tutors, baroque, classical and jazz transcriptions, plus many volumes of duets, many of which feature on all the major wind examination syllabuses worldwide. He has also written four musicals for schools with Mike Cornick, and his larger commissions include The Turn of a Wheel, a major work for concert band that premiered in November 1999 for the North Tyneside Concert Band, of which he was a founder member as a boy, and the overture Moving On in 2012.
James Rae has worked extensively as a syllabus consultant and composer for both the Associated Board and Trinity College London, and has been highly involved in developing the woodwind sight-reading requirements for both exam boards. As a teacher, he has held many posts in both the state and independent sectors, and currently works at King's College School Wimbledon, where he directs the Wind Orchestra and Concert Band, and Shrewsbury House School in Surbiton, where he coaches three large bands and a chamber group. That teaching experience runs right through his saxophone series for MusicGurus, which takes you step by step from your very first notes to a confident, stylish player: First Notes, New Keys & Low Notes, Expanding Your Range, Scales & High Notes, Extended Range & Rhythm, and Polish & Style.

































