Hard to Handle, The Black Crowes (Lesson)
Marina Haywood-Lieberman walks through the piano part of The Black Crowes' 'Hard to Handle', covering its B major chords, pedalling and the solo.
What's in the course
29 lessons (2h 46m) · 1 free
01. Hard to Handle, The Black Crowes (Performance)
3:10

02. A Song For You, Ray Charles (Performance)
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03. Theme from Schindler's List, John Williams (Performance)
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04. Natchez Trace, Glen Partridge (Performance)
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05. Soma, Simon Troup (Performance)
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06. Times Square, Kit Morgan (Performance)
3:11
Lesson transcript
Hard to Handle by The Black Crowes: A Pro Perspective
Let's check out "Hard to Handle" by The Black Crowes from a professional perspective.
Overview
- Genre: Hard Rock
- Released: 1990
- Time Signature: 4/4
- Key: B Major (5 sharps)
Structure of the Song
- Intro: 5 bars (unusual length)
- Verse 1: 8 bars
- Chorus: 4 bars
- Instrumental Link: 2 bars
- Verse 2: 8 bars
- Chorus 2: 4 bars
- Post-Chorus: Instrumental hook (strong identifiable motif of the song)
- Instrumental Middle Eight: 8 bar piano solo
- Chorus: Repeats
- Piano Solo: Originally a guitar solo, transcribed for piano
- Ending: Finishes on the post-chorus (no outro)
Technique Points
Key and Time Signature
- Key: B Major
- Time Signature: 4/4
Familiarity with B Major:
- Practice chords in the piano accompaniment
- Learn all inversions in the right hand
Practice Tips
-
Slow Practice with a Metronome: Essential for rhythmic accuracy.
-
Bar 32 Pedaling:
- Use the pedal on the first three chords.
- Example: Pedal, pedal, pedal off; pedal, pedal, pedal off; pedal, pedal, pedal off
- Creates a crisp and resonant sound.
-
Improvisation in Bar 40:
- Use pedal to support the bass line.
- Maintain connection between both hands (up to five octaves apart).
Accentuation and Coordination
- Accent each 16-note group: To clarify articulation.
- Clap the rhythm in Bar 27:
- Physically clapping helps with coordination.
- Example: Clap the rhythm on your lap or a table while practicing.
Triplet Dynamics
- In Bar 47: Ensure triplets are played as 1, 2, 3 in a smooth flow.
Wrist Flexibility
- Maintain flexibility in the left hand, especially during octave passages.
Repetitive Motions
- In Bars 50 and 51: Utilize various fingerings for repetitive notes (e.g., 1, 4, 3).
Memorization Techniques
- Memorizing one hand allows concentration on the other.
- Especially useful for big spans (5 octaves) between hands.
Maintaining Momentum
- Stay focused over the long piece (seven to nine pages).
- Practice improvisation in Bars 40 and 56 to build confidence.
Dynamic Control
- General Dynamics:
- Be part of the band; play prominently.
- Right Hand Solo:
- Lower the left hand volume when the right hand takes the lead.
- Chorus Dynamics:
- Balance loud and soft notes to enhance the musical phrase.
Conclusion
To summarize:
- Start with the piano solos in Bars 40 and 56.
- Gradually integrate them into the piece.
- Pay attention to fingerings and dynamics.
- Collaborate with your teacher to refine technique.
By investing time in solid right-hand practice and memorization, this piece will become much more manageable. Happy playing!
29 lessons
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