Forme de blues avancée
Lesson time: (6min 23sec)
Va plus loin avec le blues de 12 mesures, en ajoutant des mouvements ii-V-I et des turnarounds pour construire au piano une forme de blues plus avancée et teintée de jazz.
Course preview
This lesson is part of the course Rockschool Piano Grade 7
Watch a preview of the full course below.
Lesson transcript:
Advanced Blues Form Lesson
Recap of Previous Lessons
In the previous two videos, we explored:
- What the blues is:
- Basic form: Three chords of the blues
- Advanced form: Introducing more complex elements like the 2 and the 5 at the end of the sequence.
We also worked on developing:
- Chord tones
- The blues scale
Today's Objective
Today's lesson focuses on an even more advanced blues form.
Regular Blues Form
We've been playing the following form:
- 1
- 4
- 1
- 14 (sharp 4)
- Diminished
- 1
- 6
- 2
- 5
- 1
- 6
- 2
- 5
- 1
This advanced form will build on what we've learned, particularly in terms of two, five, ones, and turnarounds.
Turnarounds
At the end of the previous blues form, we encounter a turnaround:
- 1
- 6
- 2
- 5
We will incorporate these elements earlier in the blues progression as well.
New Progression Steps
-
Start on the 1:
Move to the 4, then back to the 1. -
Two-Five-One to B flat:
- Start: 1, 4, 1
- Transition: 2, 5, 1 to B flat.
-
Continuing the Progression:
- Diminished, then back to the 1.
- Transition to a 3-6: This involves the same pattern as the 2-5 but goes to the minor second.
In our case, the second of F is G. Use the II V pattern to reach there.
Using Major and Minor Chords
-
For Major chords:
- Use minor followed by dominant, followed by 1.
-
For Minor chords:
- Use a half-diminished chord.
- For example, the 2-5-1 to G is:
- A (half-diminished)
- D7 (dominant)
- G (major)
Final Four Bars
Now moving into the last four bars of the blues:
- Instead of just going directly to the G minor, we can introduce passing chords.
Passing Chords
We'll use:
- A to D
- Then we can head to A flat and D flat in between.
So, rather than moving directly from A to G to D, we will descend using the same pattern of minor 7 and dominant 7. This variation adds interest to the progression.
Conclusion
Remember, playing in a blues context generally follows this pattern:
- Blues Band: More straightforward.
- Jazz Context: Incorporating extra changes and harmonies adds more complexity and richness.
Developing Your Own Voice
As you continue this practice, keep in mind:
- The same form and the blues scale you've learned will still apply.
- Adding complexity enhances interest.
Let's elevate your skills! I will now play an improvisation, focusing on chord tones (root, third, fifth, and seventh of the blues form) while incorporating these additional elements.




