Hard Rock 2
Lesson time: (8min 47sec)
Chris Haigh dreht die Geige für Heavy Rock auf 11 und wendet Synkopen, das Teufelsintervall und Power-Chord-Licks an, die er von der Leadgitarre übernimmt.
© 2011 Schott Music Ltd, London
Course preview
This lesson is part of the course Rock-Violine: Stile & Performance
Watch a preview of the full course below.
Lesson transcript:
Heavy Rock Violin Lesson
Hi! If you remember back to lesson one, which was a long time ago, at the beginning of this epic and colossal journey that we've undertaken together, you'll recall that I promised you we would eventually get to the point where you could turn up to 11 and rock out.
Well, we've finally reached that goal, and today we're going to talk about heavy rock violin.
Key Concepts
We previously mentioned several important aspects of playing rock riffs:
- Syncopation
- The Devil's Interval
- Power Chord Conversion
Now, let's try playing some of these concepts with backing from some heavy guitar.
The Rock Violinist's Goal
The goal of many, and possibly all, rock violinists is to take the place of the lead guitarist. We're going to explore a whole series of licks borrowed directly from the lead guitar.
Lick Exercises
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First Exercise:
- Technique: Second finger, fourth finger open at an indeterminate speed.
- Play: Slow, medium, or fast. Let's hear that one with some backing.
-
Starting on the Upper Note:
- Play: Similar to the first exercise but begin on the upper note.
-
Strength Building:
- Target: Forefinger strength.
- Position: Move up to the third position.
- Exercise: First finger, first, second, first open.
-
Eight Note Pattern:
- Position: Third position, second finger, first finger.
- Play: This is an eight-note pattern.
-
Grouping of Sixteen Notes:
- Structure: Two sixes and a four.
- Play: Here's the first six, followed by the next six, and then a four (slowly).
-
Stretch in Third Position:
- Exercise: Second finger open and then up to the fourth.
-
Bluesy Lick:
- Start: Second finger, bring the first finger up next to it.
-
Fast Sextuplets:
- Challenge: If your forefinger isn't strong enough, this may be tough.
- Play at Different Speeds: Works better slow, but let's try it fast!
-
Big Stretch Test:
- Exercise: First finger to fourth finger to open string.
Final Stretch
Now, here's the real test:
- Big Stretch: If you have small hands, this may be nearly impossible. If you have medium-sized hands, you might need to adjust your little finger to make it work.
Disclaimer: Please don't go to the hospital claiming I told you to do this, just practice!
Assignment
-
Research Mark Wood:
- He is a master of the heavy guitar rock riff played on the violin.
- Products: He designs and manufactures rock violins, like the Viper and the Stingray.
-
Explore His Innovations:
- Mark has a device that allows your violin to stand on its own, letting you wave your hair around and throw your arms in the air while performing. It's an amazing concept.
-
Practice:
- Look at all the licks I've shown you.
- Practice until your fingers are bleeding and you can play them at full speed.
-
Experiment with Keys:
- See if you can play them in different keys, most will be challenging but E and A should be manageable.
-
Mirror Practice:
- Get yourself a full-length mirror and try posing while doing these licks.
Keep practicing and rock on!
About the instructor

Chris Haigh ist seit 25 Jahren professioneller Fiddle-Spieler mit Erfahrung in vielen verschiedenen Genres. Er hat auf über 75 Alben gespielt und dabei mit Künstlern wie Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway und Steps zusammengearbeitet. Er hat Swing-Jazz mit The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London und den Quecumbar Allstars gespielt und leitet die siebenköpfige sowjetische Swing-Band The Kremlinaires. Chris gibt Unterricht und Workshops zur Jazzgeigen-Technik und hat Jazzgeige an den Universitäten Middlesex, Brunel und Newcastle sowie am Truro College unterrichtet. Zu seinen Veröffentlichungen zählen neun Fiddle-Bücher, darunter The Fiddle Handbook. Außerdem betreibt er Fiddling Around (fiddlingaround.co.uk), vermutlich die umfassendste und meistbesuchte Quelle für Fiddle-Wissen im Netz. read more




