Lesson 7 of 37GuitarIntermediate

Torsten's practice method

Torsten Goods shares how he splits his practice time - an hour on technique and string-crossing, then sight-reading, scales, and learning solo arrangements.

Part of the coursePlay Authentic Jazz Blues Guitar37 lessons (1h 38m)

This lesson is part of the full course. 1 lesson is free to watch.

from$13/month

Explore the course
Cancel anytime30-day refund
Torsten GoodsYour guruTorsten Goods

What's in the course

37 lessons (1h 38m) · 1 free
    • 01. Torsten's practice method

      You are here

      1:45

    • 02. How to play fast

      2:38

    • 03. Right hand exercise

      3:55

    • 04. Jazz lick for building speed

      4:40

Lesson transcript

My Practice Routine

I always had a time where I just,

Maybe for an hour, I just practiced technique. You know, these kind of licks, especially the change between the strings.

Technique Practice

  • Practicing only technique with no harmonic sense.
  • Focusing on the connection between the two strings.
  • No scales, really, just practicing:
    • The right hand
    • The left hand
  • Aiming to keep both hands very synced together.

That was about an hour.

Sight Reading and Scales

  • Then I practiced sight reading.
  • I practiced scales, I remember that.

Learning Songs

And then also the biggest thing for me:

Learning songs, learning arrangements and solo arrangements for songs.

This was when I was definitely into jazz. I really learned solo arrangements from other guys or from the music I had of songs.

Practicing Soloing

A huge part, probably the biggest part, was practicing soloing, of course, which is the most important thing in jazz.

  • I had Jamie Ebersole CDs back then, there was no YouTube or something, which is much easier now.
  • I put on a Jim Yopp episode CD and just played for half an hour through all the standards.
  • Then, I listened to Wes Montgomery and played over those recordings.

Whenever I heard a nice lick or a beautiful melody he played, I tried to transcribe it.

Transcribing was also a big part, it involved many other big parts of my practicing.

$13/monthSubscription

37 lessons

1h 38m of structured video lessons

Advanced video features

Slow down, loop a passage, follow along

Mobile, tablet & desktop

Practise wherever you are

100% satisfaction guarantee

30-day money-back guarantee

Meet your guru

Torsten Goods

Torsten Goods

Torsten Gutknecht was born in 1980 in Dusseldorf, the son of a German father and an Irish mother. The family moved to Erlangen, Germany, where Torsten grew up. Thanks to his mother's well-stocked record collection, which included Irish folk songs alongside jazz greats ranging from Duke Ellington to Oscar Peterson, Gutknecht found an early access into the world of jazz. His first steps as a guitarist, however, were typically influenced by rock and pop. When he was 14 Gutknecht began to study in earnest. At the age of 17 he found a teacher who could instruct him in the intricacies of improvised music, the acclaimed guitarist Peter O'Mara. His talent and enthusiasm were obvious, and this quickly helped to get him into master classes with some of the greats of the guitar fraternity. While he was still in school he attended workshops given by Jim Hall and John Scofield in New York, and took lessons with the virtuoso gypsy guitarist Bireli Lagrene in Strasbourg, France. This last experience was a major influence on his development.

In 2001 as a 20 year old, Gutknecht travelled to New York with a stipend to study at the prestigious New York New School, where he studied with Jack Wilkins and Vic Juris. But it was even more important for Torsten to plunge into the musical life of the 'Big Apple'. He worked with Seleno Clarke, Barbara Tucker, Reverend Run (from Run DMC), and met George Benson, a major influence who inspired Gutknecht to sing along with his playing. He was also able to perform with guitar legend Les Paul, who gave him his artist name 'Torsten Goods'.

Before his stay in New York, Goods had been working with no less energy and determination in Germany. In 2000 he became a member of the German Youth Jazz Orchestra under the direction of Peter Herbolzheimer, and shortly thereafter - before his graduation - he recorded the first album under his own name, in 2001, 'Manhattan Walls' (Jardis), with Tony Lakatos, Davide Petrocca, Dejan Terzic, Guido May, Jan Eschke, Andreas Kurz, and Rick Keller.

In 2004 there followed 'Steppin' (Jazz4ever). His band at that time, which consisted of Jan Miserre, Marco Kuhnl, and Christoph Huber, was augmented by crack German players Olaf Polziehn, Martin Gjakonovski, Dejan Terzic, Tony Lakatos, Johannes Enders, and Lutz Hafner. The album was nominated for the German Record Critics' Award, and international critics acclaimed Goods as an 'emerging new force in the jazz scene'. Shortly after, in 2005 Goods was the only European to be chosen by Herbie Hancock and Wayne Shorter for the final round of the 'Thelonious Monk Jazz Guitar Competition' in Washington D.C. Since then Torsten Goods has been touring extensively throughout Europe, Asia, and the USA. During this period he has worked with the likes of Bob James, Chris Potter, James Genus, Terri Lyne Carrington, Barbara Tucker, Dawn Tallman, Marcus Fugate, Jimmy Bruno, John Ruocco, Johannes Faber, Leszek Zadlo and Patrick Scales.

In 2006 Goods began to work exclusively as an artist for ACT. His ACT debut, 'Irish Heart' (ACT 9714-2), on which he delves into his Irish roots, marked a decisive breakthrough: not only did it introduce him to a wider public, first and foremost he became recognized as a singer. Goods is not only equipped with a virtuoso guitar technique - he also has an exceptionally sensitive and expressive singing voice that is at home with the blues as well as swing and pop. The 'Irish Heart' tour took him through not only Germany; it also brought him invitations to some of the major European festivals such as the Paris Jazz Festival, Jazz Baltica, the Leverkusen Jazz Days, Burghausen Jazz Weeks, JazzKaar Estonia, the Pure Jazz Festival in Den Haag, the Traumzeit-Festival and Competitions in Brussels, as well as the London International Jazz Competition, the Montreux Jazz Guitar Competition, and the European Guitar Award in Dresden.

With his second ACT album, '1980' (ACT 9719-2), Goods once again substantially extends the range of his music. With adaptations of the works of outstanding artists from 1980 (the year Goods was born) along with his own compositions, Goods follows on the tracks of such great jazz guitarists and singers as Al Jarreau and Michael Buble.

In June 2013 the long-awaited fifth album 'Love Comes To Town' (ACT 9726-2) was released on ACT. The new CD was produced by Nils Landgren. Besides him, other well-known guests like Till Bronner, Wolfgang Haffner, Magnus Lindgren, Ida Sand and Viktoria Tolstoy appear on the album. On 'Love Comes To Town' Torsten Goods refers to his musical roots in blues, jazz and R&B while simultaneously focusing on the future as a matured artist. The album was well received in Germany for its groovy pop jazz-sound that was even compared to George Benson.

It is this mix of virtuoso fretboard technique and soulful, song-led playing that Goods brings to his teaching. In Play Authentic Rhythm & Blues Guitar, he draws on everything from those George Benson and Les Paul lessons to a lifetime in blues, jazz and R&B, showing you the feel, phrasing and chord work that make rhythm and blues guitar come alive.

Torsten Goods
Pat Levett
Joe Glossop
Frank Doll
Katie Melua
Ed O'Brien
Imogen Heap
Adam Mishan
Chet Atkins

Learn from Torsten Goods and hundreds of others

Unlimited access, money back guaranteed

$13/month

Subscription