Early influences and Rock guitar

Torsten Goods
Torsten Goods

Lesson time: (4min 29sec)

Torsten Goods shares how he came to the guitar - from 90s heavy metal like Metallica and Guns N' Roses to a green Ibanez at thirteen.

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This lesson is part of the course Play Authentic Jazz Blues Guitar
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Lesson transcript:

How I Got Started Playing Guitar

Well, as most of the teenagers of my generation in the 90s, my journey into music was heavily influenced by the heavy metal rock bands of the MTV era.

Influences from the 90s

  • Guns N' Roses
  • Metallica

These were very guitar-oriented bands, and the 90s were a fantastic time to play guitar as a teenager. Unfortunately, it seems that this current era is not as guitar-focused.

My Musical Beginnings

  • I started playing piano at the age of 6.
  • At just 13, I picked up the guitar, a green Ibanez electric guitar, to be specific.

I began playing songs from bands like Metallica and Guns N' Roses. For about two years, I really immersed myself in heavy metal.

Expanding My Musical Palette

At 16 and 17, I shifted my focus towards:

  • Blues
  • Jazz
  • Funk
  • Soul Music

I've remained passionate about these genres ever since.

First Songs Learned

The first song I learned? It was probably something like:

  • "Nothing Else Matters"
  • "Enter Sandman"

Those were the days in the early 90s!

Discovering Jazz

How did I get into playing jazz? I remember the moment clearly:

  • I saw the Oscar Peterson Quartet on German TV.
  • It must have been on the third channel, Bayerischer Rundfunk.
  • They were performing in a concert at the Munich Philharmonic.

Oscar had a Canadian guitar player with him, Lorn Lovsky, who wasn't famous at the time (and probably isn't very well-known now), but he was a great player. I follow him on Instagram too.

A Turning Point

I was about 14 or 15 years old, around 1995, and I was captivated by the music. I became very interested in the harmonic aspects and was motivated to play like that. I thought, "This has to be my goal. I want to achieve the ability to play this kind of music."

Early Influences

  • My mother had a collection of Oscar Peterson records along with:
    • Art Tatum
    • Duke Ellington

The guitar players I discovered for myself included:

  • George Benson
  • Kenny Burrell
  • Wes Montgomery

In the mid-90s, before the Internet, record stores were where you would go to find music. I would browse the jazz department, listen to CDs with headphones, and buy the ones I liked.

Transitioning from Rock to Jazz

Initially, I came from a background of rock guitar and shred guitar.

  • Big influences for me included:
    • Yngwie Malmsteen
    • Paul Gilbert

I was heavily into Aeolian scale playing, specifically E minor, characterized by very rocky, minor sounds, especially when played with distortion.

Influential Instruction

I bought Paul Gilbert's instructional videos. He mentioned his influence as Al Di Meola, which introduced me to my first real jazz guitarist, although he could also be categorized as a fusion artist. Di Meola was famous for his picking patterns.

Further Exploration

From Al Di Meola, I delved into John McLaughlin and continued learning through the jazz influences of:

  • George Benson
  • Wes Montgomery
  • Kenny Burrell
  • Grant Green

Ultimately, I must emphasize that my roots were very much in rock music.

About the instructor

Torsten Goods
Torsten Goods

Torsten Gutknecht was born in 1980 in Dusseldorf, the son of a German father and an Irish mother. The family moved to Erlangen, Germany, where Torsten grew up. Thanks to his mother's well-stocked record collection, which included Irish folk songs alongside jazz greats ranging from Duke Ellington to Oscar Peterson, Gutknecht found an early access into the world of jazz. His first steps as a guitarist, however, were typically influenced by rock and pop. When he was 14 Gutknecht began to study in earnest. At the age of 17 he found a teacher who could instruct him in the intricacies of improvised music, the acclaimed guitarist Peter O'Mara. His talent and enthusiasm were obvious, and this quickly helped to get him into master classes with some of the greats of the guitar fraternity. While he was still in school he attended workshops given by Jim Hall and John Scofield in New York, and took lessons with the virtuoso gypsy guitarist Bireli Lagrene in Strasbourg, France. This last experience was a major influence on his development. In 2001 as a 20 year old, Gutknecht travelled to New York with a stipend to study at the prestigious New York New School, where he studied with Jack Wilkins and Vic Juris. But it was even more important for Torsten to plunge into the musical life of the 'Big Apple'. He worked with Seleno Clarke, Barbara Tucker, Reverend Run (from Run DMC), and met George Benson, a major influence who inspired Gutknecht to sing along with his playing. He was also able to perform with guitar legend Les Paul, who gave him his artist name 'Torsten Goods'. Before his stay in New York, Goods had been working with no less energy and determination in Germany. In 2000 he became a member of the German Youth Jazz Orchestra under the direction of Peter Herbolzheimer, and shortly thereafter - before his graduation - he recorded the first album under his own name, in 2001, 'Manhattan Walls' (Jardis), with Tony Lakatos, Davide Petrocca, Dejan Terzic, Guido May, Jan Eschke, Andreas Kurz, and Rick Keller. In 2004 there followed 'Steppin' (Jazz4ever). His band at that time, which consisted of Jan Miserre, Marco Kuhnl, and Christoph Huber, was augmented by crack German players Olaf Polziehn, Martin Gjakonovski, Dejan Terzic, Tony Lakatos, Johannes Enders, and Lutz Hafner. The album was nominated for the German Record Critics' Award, and international critics acclaimed Goods as an 'emerging new force in the jazz scene'. Shortly after, in 2005 Goods was the only European to be chosen by Herbie Hancock and Wayne Shorter for the final round of the 'Thelonious Monk Jazz Guitar Competition' in Washington D.C. Since then Torsten Goods has been touring extensively throughout Europe, Asia, and the USA. During this period he has worked with the likes of Bob James, Chris Potter, James Genus, Terri Lyne Carrington, Barbara Tucker, Dawn Tallman, Marcus Fugate, Jimmy Bruno, John Ruocco, Johannes Faber, Leszek Zadlo and Patrick Scales. In 2006 Goods began to work exclusively as an artist for ACT. His ACT debut, 'Irish Heart' (ACT 9714-2), on which he delves into his Irish roots, marked a decisive breakthrough: not only did it introduce him to a wider public, first and foremost he became recognized as a singer. Goods is not only equipped with a virtuoso guitar technique - he also has an exceptionally sensitive and expressive singing voice that is at home with the blues as well as swing and pop. The 'Irish Heart' tour took him through not only Germany; it also brought him invitations to some of the major European festivals such as the Paris Jazz Festival, Jazz Baltica, the Leverkusen Jazz Days, Burghausen Jazz Weeks, JazzKaar Estonia, the Pure Jazz Festival in Den Haag, the Traumzeit-Festival and Competitions in Brussels, as well as the London International Jazz Competition, the Montreux Jazz Guitar Competition, and the European Guitar Award in Dresden. With his second ACT album, '1980' (ACT 9719-2), Goods once again substantially extends the range of his music. With adaptations of the works of outstanding artists from 1980 (the year Goods was born) along with his own compositions, Goods follows on the tracks of such great jazz guitarists and singers as Al Jarreau and Michael Buble. In June 2013 the long-awaited fifth album 'Love Comes To Town' (ACT 9726-2) was released on ACT. The new CD was produced by Nils Landgren. Besides him, other well-known guests like Till Bronner, Wolfgang Haffner, Magnus Lindgren, Ida Sand and Viktoria Tolstoy appear on the album. On 'Love Comes To Town' Torsten Goods refers to his musical roots in blues, jazz and R&B while simultaneously focusing on the future as a matured artist. The album was well received in Germany for its groovy pop jazz-sound that was even compared to George Benson. It is this mix of virtuoso fretboard technique and soulful, song-led playing that Goods brings to his teaching. In Play Authentic Rhythm & Blues Guitar, he draws on everything from those George Benson and Les Paul lessons to a lifetime in blues, jazz and R&B, showing you the feel, phrasing and chord work that make rhythm and blues guitar come alive. read more

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