Parcourir les loops et utiliser les métadonnées des loops

Aamir Yaqub
Aamir Yaqub

Lesson time: (9min 17sec)

Tire le meilleur parti des Apple Loops, en utilisant instruments, genres et descripteurs pour trouver le son que tu recherches.

Course preview

This lesson is part of the course Logic Pro : créer des beats avec Drummer et Apple Loops
Watch a preview of the full course below.

Lesson transcript:

Apple Loops: Filtering and Auditioning Techniques

Okay, so you've seen me working with this section up the top here. This is where I start to filter down my Apple Loops based on essentially what I'm looking for at any given time.

Creating a New Vibe

Let's say that I was to create a whole new vibe here:

  • I'm going to mute all of the existing elements.
  • We're going for something a little bit more electronic.

I can obviously go in and select packs if I wanted something specific, like a Deep House pack. Or I can start by looking for a beat.

Available Beats: As you can see, some beats are named after genres such as:

  • Trance
  • Techno

This indicates the styles they represent. For example, let's bring in a step sequencer beat:

  1. Adding a Bassline:
    • Let's say I want to add a baseline underneath it.
    • I don't want an electric bass, so I'll select synthetic bass.
    • How about something that sounds like VIP bass? That's not what I'm looking for.

However, that works, so we can just grab that and drag it in. This shows how quickly you can find what you're looking for using the tag-based browser.

Further Filtering Options

  • Instrument: I have bass and synthetic bass.
  • Genre: I want a bassline that fits into hip hop.

Let's see what we can find with those filters applied:

  • If I want to further filter this down, I can use descriptors:
    • Melodic
    • Dark

These descriptors enhance the search and can lead to some interesting results.

Working with Loops

When working with Apple Loops, let's clear everything out for a moment.

  1. One of the things I might want to do is go to a pack, for instance, Vintage Breaks.
  2. If there's a specific break that I enjoy, I can chop it up and make it sound amazing. Sampling will be discussed a bit later.

If I find a basic vintage break to revisit often, I can favorite it:

  • Click the checkbox to add it to my favorites.
  • It will appear in my favorites section, indicated by a little heart.

To remove it from favorites, simply uncheck the box.

Importance of Favoriting Loops

If there are certain loops that are beneficial for multiple songs, favoriting them is a great idea. You can easily return to them whenever needed.

Auditioning Apple Loops

When browsing Apple Loops, changing the way you audition the loops can enhance your workflow.

  • Auditioning a Loop: Click on the loop to hear it back.
  • If I'm looking for something outside of drums, I might go to electric piano.

As it stands, when I'm auditioning, I hear it immediately. To quickly audition, I can use my up and down arrow keys for swift navigation through loops.

Adjusting Playback Settings

I can change the playback level:

  • If it's too loud, I can adjust the slider as needed.
  • Clicking the settings (gear) icon allows you to play the loop in the song key.

For example, if my project is in C major and I change the key to E major:

  • The loop plays higher than before.

Key and Tempo Settings

When auditioning, you can always see:

  • The original tempo
  • The original key
  • The loop's duration (in beats)

You can set it to always play back in the original key. If you want to work with the song key, it's usually beneficial, and by default, it is set to that.

Note: Apple Loops will always conform to the tempo of your song.

Conclusion

As seen, Apple Loops are a great way to:

  • Add interest
  • Spark ideas
  • Incorporate additional elements.

If you're working on an electronic track and want something more organic, perhaps a percussion shaker loop that was played by a human being can add that extra element of humanity.

A vast array of loops is available in various styles and formats. They can be a fantastic resource, either to lead your productions or elevate them with well-recorded and thoughtfully created loops that are available for free.

About the instructor

Aamir Yaqub
Aamir Yaqub

Aamir Yaqub est un producteur et ingénieur du son basé à Londres. Il a travaillé avec certains des plus grands noms de la musique, dont Alicia Keys, David Guetta, Rihanna, Sia et will.i.am, tout en développant des artistes indépendants.Au fil de ses cours, il enseigne l'intégralité de son flux de travail sur Logic Pro : de l'interface et de l'enregistrement à la création de beats, la synthèse et les effets MIDI, jusqu'au mixage et à la finalisation d'un morceau. read more

What's included?

12 lessons (1h 20m)
Advanced video features
Mobile, tablet & desktop
100% satisfaction guarantee
View course info