Lesson 11 of 27SingingBeginner

Preparation for the warm-up

4:58

Alfie Boe explains how to approach a vocal warm-up - staying relaxed and gentle rather than straining, so your voice is fresh for a performance.

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What's in the course

27 lessons (2h 7m) · 1 free
    • 01. Learning to cope with pressure

      5:56

    • 02. Looking after your voice

      8:52

    • 03. Physical warm-up

      8:05

    • 04. Preparation for the warm-up

      You are here

      4:58

    • 05. Vocal exercise 1

      6:47

    • 06. Vocal exercise 2

      3:56

    • 07. Set yourself a challenge

      2:11

Lesson transcript

Embracing the Meditative State for Vocal Warm-Up

So now that we've gotten into that meditative state, our producer mentioned that word, and it's a fantastic one to use. That meditative state is the mindset we want when approaching a song or a performance.

The Importance of a Vocal Warm-Up

We're going to do a little vocal warm-up. There's a reason why it's called a warm-up.

  • Personal Experience: I used to believe that I needed to do thousands of scales, going up and down for a long time before stepping onto the stage. I did this frequently, but I found that by the time I was on stage, my voice felt tired, and I was vocally fatigued quicker than normal.

  • Lack of Proper Training: Back then, I hadn't had any training, so I didn't work on my breathing or that meditative state I'm discussing. Instead of preserving my voice and using gentle warm-ups, I was screaming scales, thinking I was doing well.

The Purpose of a Warm-Up

The warm-up should be:

  • Relaxing
  • Fun
  • Exciting

Knowing where your voice will lie for a particular performance is essential. Your voice won't always be the same. You may show up to another performance with a tireder voice than the week before, and that's okay.

The Natural Change of Your Voice

  • The voice is a natural muscle and instrument; it will change over time.

  • I guarantee that in 10 years, as you continue singing, your voice will sound completely different.

  • I remember listening to myself at 16, thinking I had a big voice, when in reality, it wasn't great at all. Only after training did I discover my true sound.

  • Growth and Development: A male singer's voice typically breaks around 12 to 14 years old, but it continues to develop often into the early 40s or late 30s. In contrast, a female voice settles quicker because younger and older women are on similar tonal planes.

Understanding Voice Changes

  • When a guy's voice breaks or cracks, it transitions from a higher register to a lower one, resulting in a more mature sound.
  • We need to allow our voices to settle.

Gently Preparing for Performance

To preserve your voice as a male singer, it's important to let it grow naturally.

The Warm-Up Exercises

The exercises I'm going to show you will gently prepare you for a performance.

  • Structure of the Warm-Up:

    • We warm the voice up in the register.
    • Then we come down.
    • Finally, we warm it up to a higher step in the musical phrase.
  • We will go up in semitones, similar to a piano with white and black notes, gradually warming up the scale.

Keeping Your Voice Vibrant

You want your voice to be bright, vibrant, and high.

  • Avoid Starting with a Downward Warm-Up: If you start warming down the scale before your performance, you may struggle to bring it back up to where you want it to be.

  • Pre and Post Warm-Ups:

    • Always do a warm-up before the show.
    • After the performance, warm your voice down the scale to relax it and gently sway back into a calm state, preparing for the next performance.

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Meet your guru

Alfie Boe

Alfie Boe

Alfie Boe is a tenor from Fleetwood on the Lancashire coast. He has sung on many of the world's leading opera stages, led the cast of Les Misérables in the West End for nearly a year, and performed at the Queen's Diamond Jubilee Concert at Buckingham Palace. He has had four top-ten albums and platinum sales in the UK, with sold-out tours at venues including the Royal Festival Hall and the Royal Albert Hall. In his course he shares the daily vocal exercises and warm-ups he uses before performing - from Jean Valjean to singing for the Queen - the craft that keeps a powerful voice in shape.

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