Lesson 14 of 26SingingIntermediate

The dorian scale

3:23

Jono McNeil introduces the Dorian scale for singers, its lilting, Celtic sound and how it adds colour to pop melodies beyond the pentatonic.

Part of the courseLicks, Riffs & Runs for Pop Singers26 lessons (1h 50m)

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Jono McNeilYour guruJono McNeil

What's in the course

26 lessons (1h 50m) · 1 free
    • 01. The pentatonic scale

      5:33

    • 02. Learn a pentatonic lick

      3:38

    • 03. Perform the pentatonic lick

      Free lesson

      1:27

    • 04. The dorian scale

      You are here

      3:23

    • 05. Learn a dorian lick

      3:32

    • 06. Perform the dorian lick

      3:48

    • 07. Advanced lick challenge!

      4:25

Lesson transcript

Lesson Overview: Exploring the Dorian Scale

So this next lesson is pushing us away from the pentatonic scale.

Recap: Pentatonic Scale

In our last lesson, we started licks and explored the pentatonic scale, focusing on:

  • Great intervals
  • Stepwise melodies

These elements can create really interesting licks for your contemporary songs.

Introducing the Dorian Scale

That said, there are other scales out there, and you can do so much with alternative scales. Today, we're going to look at a special scale that's probably one of my favorites: the Dorian scale.

  • It has a really beautiful, lilting, Celtic sound by itself.
  • When used in pop tracks, it sounds really hip.

Getting Started with the Dorian Scale

Let me play you the pentatonic scale. If you were to start on a keyboard from the note D, you could play from D to D, all using white notes, which gives you:

  • The Dorian scale.
    Let me show you, it's very simple: all white notes from D to D.

Theoretical Foundation

Now, if we think about that as a bit of a formula, for those of you who want to add some theory, we can identify this scale as follows:

  • Major Scale: Two flats in it.
    • Flatten the third
    • Flatten the seventh

So here's the breakdown:

  • Flattened Third: 3rd note
  • Flattened Seventh: 7th note

You can apply this formula to any key. If you take a major scale in any key, you'll get the Dorian scale by flattening the third and seventh notes.

Dorian vs. Natural Minor

The reason this scale differs from your standard natural minor scale is:

  • A normal minor scale has a flattened sixth.
  • The Dorian scale has a beautiful major sixth.

This major sixth adds a lift or mystical feeling to the scale, which I love!

Today's Lick

We will be working on a lick based on the Dorian scale, incorporating the flat sixth and flat seventh. If you're feeling a bit overwhelmed by the theory, don't worry too much!

Technical Tips for Practicing

Before we proceed, let's look at some technical tips:

Tip 1: Body Movement and Relaxation

  • Last time, we talked about ensuring that there's no extra tension in the face, jaw, or tongue, making it easier to perform a lick.

Tip 2: Mouth Position

  • Don't let your mouth get too close at the end of a phrase. This might be due to jaw tension.
  • If you notice this in the mirror, try placing a finger (or two) between your teeth.

This will promote openness in your voice and reduce jaw tension.

Tip 3: Experiment with Vowels

  • When learning licks, don't stick to one vowel.

  • For today's lick, we'll be using two vowels, but remember that there are numerous options to explore:

    • Open vowels: "a"
    • Narrow vowels: "oo" and "o"

These variations can feel more comfortable within different contexts. Try a whole bunch of different things!


Let's dive into the lick and enjoy this exploration of the Dorian scale!

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Meet your guru

Jono McNeil

Jono McNeil

Jono McNeil has provided vocal coaching for professional singers, contemporary artists and vocalists in a range of influential positions within the entertainment industry for over 20 years.

He works as a vocal coach across a variety of TV shows including The Voice Kids, The Voice UK, Little Mix The Search, The Masked Singer, Wedding Day Winners and Change Your Tune, and coaches touring acts such as JLS, New Rules and July Jones to name a few.

An artist and singer in his own right, Jono has also performed with Michael Buble, Paloma Faith, Josh Groban, Nelly, Jamie Cullum, Lemar, George Ezra and Jocelyn Brown, and has several original albums available on streaming platforms.

He combines his experience on stage and in the recording studio with a deep understanding of vocal function to provide effective and inspirational coaching experiences.

Previously he worked as the head of vocals at the Academy of Contemporary Music (ACM), lecturing and designing content for the degree vocal curriculum in popular music, and now continues to work as an external examiner for other academic institutions such as the Leeds Conservatoire.

Passionate about the possibilities of popular music and artistry, he pursues innovative research and strategies to see this realised; his academic qualifications include a degree in Jazz and a masters in Vocal Pedagogy.

In Licks, Riffs & Runs for Pop Singers, Jono shows you exactly how to add the agile runs, riffs and licks that define modern pop singing, so you can decorate a melody with confidence and make it your own.

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