Breaking up is hard to do
Lesson time: (6min 13sec)
Guy Chambers tells the story behind ‘No Regrets’, written in 1997 about Robbie Williams’ split from Take That, and how he shaped the music to match the song’s mood.
Course preview
This lesson is part of the course Song Studies: The Songwriting Secrets of Guy Chambers
Watch a preview of the full course below.
Lesson transcript:
An Insight into "No Regrets"
Now we're going to talk about "No Regrets," which was written in the summer of 1997.
Background on the Song
Just to give you a bit of background on this song:
- We had just completed the first album, Life Through A Lens.
- Rob had been to rehab and had come out of it.
- Prior to this, I had been in a band many years before called The Lemon Trees.
The Lemon Trees Experience
I made the classic bad mistake of messing up my second album with The Lemon Trees. Here's a quick recap:
- The band did a first album which performed well; all of the songs got airplay.
- We sold about 30,000 copies, which for an indie band is not bad going.
- When we made a second album, we switched producers, changed our whole sound, and made that classic mistake of going in a different direction.
- Ultimately, we got dropped by the record company, and I was left on my arse.
I never forgot that humiliation and lesson. So, when it came to the Robbie Williams world, I knew we had to act quickly after finishing the first record.
The Importance of the Second Album
I told Rob, "As soon as you get out of rehab, we need to start working on the second record straight away." My goal was clear:
- The second album needed to be just as good as the first, hopefully even better.
- We took any opportunity to write together.
The Birth of "No Regrets"
This song started at a barbecue in a friend's garden. I always had my guitar with me. One of the wonderful things about an acoustic guitar is that:
- You don't have to plug it in.
- You can play it anywhere, even in the garden, with no need for power.
The Creative Spark
The song started with a riff. I probably just played that a couple of times, and then Rob began singing these words almost immediately:
"Tell me the story. We all change. We live our lives together. We're not astray."
I thought, "Wow, what's this story?" Rob expressed he wanted to write a song about Take That and the pain he felt about the band's breakup. I was onboard.
Emotional Significance
I knew this would be quite an important song because Rob hadn't properly dealt with that history yet, musically speaking.
From there, we moved to the line:
"I didn't lose my mind; it was mine to give away."
This particular lyric is my favorite Robbie lyric that he's ever written.
Musical Influences
I've since thought about the influences behind this song. I believe that the next section was inspired by a song by Burt Bacharach, which goes like this. You might have heard it in an advert or in a film, perhaps in one of the Austin Powers films.
Chord Comparisons
The chorus for this song has some similarities to that melody.
- If we try it through "No Regrets," it doesn't quite work, but:
- Bacharach's chords move from G minor to C minor.
- Our chords, however, move from F minor to C minor.
F minor 11 is quite an unusual chord. In pop music, it doesn't appear often, but it creates a lot of tension and paints a sad yet compelling picture.
Production Choices
When we produced the record, we deliberately moved away from the very sad, ballad-like guitar vibe you're hearing now. Our aim was to create a more defiant, uplifting song, which is why:
- There are drums on it.
- A lot of rhythm was added.
It still retains that underlying sadness, but it's a song that's moving somewhere.
About the instructor

Guy Chambers is one of the UK's most successful living songwriters. He is the writer behind songs we know from the radio, from the movies, and from the dance floor. Songs we know from our parties and our weddings. Songs that half the world can sing along to note for note. Songs that take us back in time to where we used to be. Songs that carry us forward beyond the everyday to where we wish we were; 'Angels'; 'Let Me Entertain You'; 'Strong'; 'No Regrets'; 'Millennium'; 'Rock DJ'; 'Feel' - to name but a few. "Guy was the first person in the business who ever took me seriously" says long-standing writing partner Robbie Williams. "The first person who could see the artist that I knew I could become". The list of other collaborators reads like pop music royalty. Over the years Guy has written and produced for Diana Ross, Tom Jones, Tina Turner (whose scorching take on 'Feel' really has to be heard to be believed), Kylie Minogue, James Blunt, Scissor Sisters, Rufus Wainwright and Mark Ronson, among many others. He is consistently pushing himself, seeking new, creative endeavours, one of which was creating a children's folk opera based on the Oscar Wilde short story 'The Selfish Giant' - which he dedicated to his late mother, Pat. The show premiered at The Vaudeville Theatre in London's West End in 2018. In 2019 Guy released his debut solo piano album, 'Go Gentle Into the Light' - a collection of some of the best-loved songs that he and Robbie Williams have written together, with the single 'The Road To Mandalay' reaching over 6 million streams. He produced the BBC Children in Need official album 'Got it Covered', featuring stars such as Olivia Colman, Jodie Whittaker and Helena Bonham Carter, which reached Number 1 in the UK Charts. Guy and Robbie Williams teamed up with Chris Heath to compose the music and lyrics for the RSC musical adaptation of David Walliams' best-selling book 'The Boy in the Dress', which opened to five-star reviews (The Independent, What's On Stage) at the Royal Shakespeare Theatre, Stratford-Upon-Avon. Guy has produced Robbie Williams' most recent UK Number 1 album 'The Christmas Present' and co-wrote the single 'Time for Change'. He lives with his wife Emma and their four children in Camden and in Sussex, where he enjoys "good wine, good food, cinema and pretty much everything French". "And writing songs, of course". read more




