Lesson 5 of 19GuitarIntermediate

Young Thing - Teaching

6:17

Chet Atkins teaches 'Young Thing', a fingerstyle tune he wrote for fellow picker Bill Young, built over a boogie-woogie bass.

Part of the courseThe Guitar of Chet Atkins19 lessons (1h 24m)

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19 lessons (1h 24m) · 1 free
    • 01. Maybelle - Performance

      Free lesson

      2:37

    • 02. Bye Bye Blackbird - Performance

      2:31

    • 03. Londonderry Aire - Teaching

      6:25

    • 04. Petite Waltz - Teaching

      4:14

    • 05. Young Thing - Teaching

      You are here

      6:17

    • 06. Young Thing - Performance

      3:14

    • 07. Chet talks

      10:26

    • 08. When You Wish Upon A Star - Performance

      2:35

    • 09. Londonderry Aire - Performance

      3:12

    • 10. Mr. Bojangles - Teaching

      6:45

    • 11. Mr. Bojangles - Performance

      3:11

    • 12. Lover Come Back - Performance

      2:19

    • 13. Maybelle - Teaching

      3:02

    • 14. Petite Waltz - Performance

      2:24

    • 15. When You Wish Upon A Star - Teaching

      5:23

    • 16. Lover Come Back - Teaching

      5:51

    • 17. Bye Bye Blackbrid - Teaching

      6:33

    • 18. Happy Again - Teaching

      4:41

    • 19. Happy Again - Performance

      2:24

Lesson transcript

Young Thing - A Tribute to Bill Young

That was Young Thing. I wrote that for a finger picker over in North Carolina. His name was Bill Young, and he got the dreaded disease ALS (Lou Gehrig's disease). I played that tune for him before he died, and he loved it.

Inspiration Behind the Title

I called it Young Thing for Bill Young. It's difficult to play. I don't know why I keep writing these things that are too difficult for me to play. But anyway, I just play a boogie woogie bass.

Playing Techniques

  • While I'm doing that, I make like a piano player and play C9.
  • Once in a while, I do that; I think I leave out a bass note when I do, but it's effective.

Making It Work

This is a little difficult here. Someday, I'll make up another lick that'll be easier, but right now, I don't know what.

Then we go to the bridge, which I like the voicing on.

"I like that."

And then we play with a bass line. It's difficult, but you can do it. If I can do it, anybody can do it. Maybe you can make up some better licks of your own, you know.

Transitioning Licks

After that, I play. I can't play it down here, so I have to adjust. And then we do a little thing like in Pine Tops Boogie to give it a little relief and get out of the blues mode medium for a minute.

  • It's a pickup note and one all the time.
  • You keep that finger anchored.

A little Jerry Reed there.

Revisiting the Bridge

And then what comes next? Yeah, and then the bridge again.

"Young thing, a young thing."

Then back to the chorus. See how you do that with a little finger? The Jerry Reed thing again.

Concluding Thoughts

And then, let's see, it's an augmented chord. I usually play that fast, like I heard Pat Donahue play a tune like that. And who else? Someone else, Brad Jones. So I made up my own because I liked it.

Then I listened to theirs again, and mine was not like theirs. I was happy about that, so hope you like it!

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Meet your guru

Chet Atkins

Chet Atkins

Known as "Mr. Guitar", Chet Atkins is the most recorded solo instrumentalist in music history. His signature picking style was inspired by Merle Travis, with other major influences including Django Reinhardt, George Barnes, Les Paul and, later, Jerry Reed. That trademark picking style and musicianship won him admirers within and well beyond the country scene, both in the United States and internationally.

As a studio musician, his playing graced records by Elvis Presley, Kitty Wells, The Everly Brothers, Hank Williams and dozens of other Nashville legends. His style went on to influence pop greats such as Mark Knopfler, Duane Eddy, George Harrison, The Ventures, George Benson and Eddie Cochran, as well as thousands of country pickers. He won nine CMA Awards as Musician of the Year, four Playboy jazz poll honours and thirteen Grammys.

With more than 35 million copies of his 75-plus original releases sold, Atkins was also a recipient of the Grammy Lifetime Achievement Award.

He helped create the Nashville sound, a style of country music that owed nearly as much to pop as it did to honky tonks - and without him, country may never have crossed over into the pop charts in the '50s and '60s.

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