Lesson 17 of 19GuitarIntermediate

Bye Bye Blackbrid - Teaching

6:33

Chet Atkins teaches his fingerstyle guitar arrangement of Bye Bye Blackbird, walking through his substitute chords and the steady timing the tune needs.

Part of the courseThe Guitar of Chet Atkins19 lessons (1h 24m)

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What's in the course

19 lessons (1h 24m) · 1 free
    • 01. Maybelle - Performance

      Free lesson

      2:37

    • 02. Bye Bye Blackbird - Performance

      2:31

    • 03. Londonderry Aire - Teaching

      6:25

    • 04. Petite Waltz - Teaching

      4:14

    • 05. Young Thing - Teaching

      6:17

    • 06. Young Thing - Performance

      3:14

    • 07. Chet talks

      10:26

    • 08. When You Wish Upon A Star - Performance

      2:35

    • 09. Londonderry Aire - Performance

      3:12

    • 10. Mr. Bojangles - Teaching

      6:45

    • 11. Mr. Bojangles - Performance

      3:11

    • 12. Lover Come Back - Performance

      2:19

    • 13. Maybelle - Teaching

      3:02

    • 14. Petite Waltz - Performance

      2:24

    • 15. When You Wish Upon A Star - Teaching

      5:23

    • 16. Lover Come Back - Teaching

      5:51

    • 17. Bye Bye Blackbrid - Teaching

      You are here

      6:33

    • 18. Happy Again - Teaching

      4:41

    • 19. Happy Again - Performance

      2:24

Lesson transcript

Bye Bye Blackbeard Music Lesson

"One of my favorite tunes ever written."

In this lesson, I'll highlight some of the techniques and chords I use in the song "Bye Bye Blackbeard."

Chords and Timing

  • Substitute Chords: I like to incorporate substitute chords.

    • You can play it faster too, which I usually do. However, I want you to learn this arrangement and spread it around, so I'll play it slower.
  • Steady Timing: Time is so important. Keep steady time.

    • If you have a problem with that, use a metronome set to click like "1 and 2 and Tat Tat tat."
    • When I'm recording on a slow tune, I'll have the metronome play in 16th notes.

Chord Progressions

  • Starting with:

    • G sus to F 13 (with a G in the bass).
    • C (with a G in the bass).
    • F sharp diminished.
  • Move to:

    • B flat (with a D in the bass).
      • I love that harmony!
  • Transition to:

    • F diminished to C (with a G in the bass).
    • B flat with an A flat in the bass.
      • Notice how nicely it resolves to an A flat.
    • Then, I think I went to a B flat, and sometimes I go to an A flat.

Improvisation

  • "Blackbird, bye-bye."

    • Play the scale starting on the upbeat, it works out nicely.
    • I will do that again, even though I have trouble playing it every time.
  • You don't have to execute exactly what I did; you could play your own arrangements.

  • "What tune am I playing?"

    • In this portion, I just improvise the melody while playing rhythm. It's simple, but effective.

Final Thoughts

  • "Bye bye, bye, bye."

    • Then I go down to a C with a 3 in D minor.
    • Followed by D minor again, A augmented, B flat, E, A, and then A flat.
  • I throw a little Beatles "Blackbird" on the end.

    "Blackbird, bye."

If you're having trouble seeing what I did, back it up and watch it again. It's hard for me to explain!

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Meet your guru

Chet Atkins

Chet Atkins

Known as "Mr. Guitar", Chet Atkins is the most recorded solo instrumentalist in music history. His signature picking style was inspired by Merle Travis, with other major influences including Django Reinhardt, George Barnes, Les Paul and, later, Jerry Reed. That trademark picking style and musicianship won him admirers within and well beyond the country scene, both in the United States and internationally.

As a studio musician, his playing graced records by Elvis Presley, Kitty Wells, The Everly Brothers, Hank Williams and dozens of other Nashville legends. His style went on to influence pop greats such as Mark Knopfler, Duane Eddy, George Harrison, The Ventures, George Benson and Eddie Cochran, as well as thousands of country pickers. He won nine CMA Awards as Musician of the Year, four Playboy jazz poll honours and thirteen Grammys.

With more than 35 million copies of his 75-plus original releases sold, Atkins was also a recipient of the Grammy Lifetime Achievement Award.

He helped create the Nashville sound, a style of country music that owed nearly as much to pop as it did to honky tonks - and without him, country may never have crossed over into the pop charts in the '50s and '60s.

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