Lesson 11 of 14Acoustic GuitarIntermediate

Shebeg & Shemore

Laurence Juber teaches his fingerstyle arrangement of the O'Carolan air 'Sheebeg Sheemore' on acoustic guitar, played in DADGAD.

Part of the courseWooden Horses14 lessons (1h 33m)

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What's in the course

14 lessons (1h 33m) · 1 free
    • 01. Enough Is Never Enough

      8:12

    • 02. Guitar Noir

      5:34

    • 03. The Crow's Nest

      Free lesson

      5:15

    • 04. Maple Avenue Strut

      9:05

    • 05. The Ornament Waltz

      10:38

    • 06. Rufus

      7:19

    • 07. Highway 17

      8:38

    • 08. Being Here With You

      4:51

    • 09. Wooden Horses

      7:42

    • 10. Double Agent

      7:01

    • 11. Shebeg & Shemore

      You are here

      4:44

    • 12. Around The Block

      6:39

    • 13. Portobello Road

      6:28

    • 14. Parting thoughts

      1:03

Lesson transcript

Shebeg and Chamor: A Celtic Baroque Piece

Composer: O. Caroline
Period: 18th Century
Album: Wooden Horses


Overview

In this lesson, I'd like to share my interpretation of "Shebeg and Chamor," a beautiful Celtic baroque piece. While I covered this piece on my dad's Gad DVD, my approach today will have some slight differences.

Playing Techniques

  • Tuning: I'm in Dagad.
  • Technique: I start off with a brush tremolo using my index finger to brush the strings with up and down strokes.

Melody Interpretation

  • Opening Section:

    • I transition into the melody, primarily playing on the second string.
    • This section is played freely.
  • Transition:

    • The piece then moves into a more timed section, where I incorporate ornamentation.
    • For example, on the A chord, I add some embellishments.
  • B Section:

    • In the second section, I begin the melody on the third string.
    • You'll notice instead of playing straight across the strings, I gracefully move down to a B flat.

Musical Feel

  • The melody is straightforward and sweet, but the essence lies in how you feel it.
  • For instance, the second time around the tune in the B section, I tend to swing it slightly instead of playing it strictly as a waltz.
  • I also like to add ornamentation during this part.

Personalization

Feel free to interpret the piece in your own way, you don't have to follow my version precisely. Enjoy exploring your unique expression of this lovely melody!

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Meet your guru

Laurence Juber

Laurence Juber

Laurence Juber first became known as lead guitarist in Paul McCartney's band Wings. Since then he has built a career as a fingerstyle guitarist, composer and arranger, working largely in the DADGAD tuning that earned him the nickname 'the Duke of DADGAD'.

He has been voted Guitarist of the Year by readers of Fingerstyle Guitar Magazine and named among the top guitarists by Acoustic Guitar magazine, alongside a long list of solo albums and worldwide touring.

In his courses he teaches his fingerstyle technique and the DADGAD tuning he's known for, how to arrange melody, harmony and bass together for solo guitar, and the pieces - like his signature 'Wooden Horses' - that bring it all together.

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