Comping practice routines

With
Tim RichardsTwo-handed exercises for I-VI-II-V and II-V-I sequences
What's in the course
29 lessons (1h 19m) · 1 free
01. Playing the roots
2:34

02. Two-feel bass line
2:26

03. Two-feel bass line (performance)
1:12

04. Guide tones
3:00

05. Two-feel bass with guide tones (performance)
1:06

06. Adding right-hand chords
2:37

07. Two-feel bass with chords (performance)
1:08

08. Walking bass lines
5:31

09. Walking bass line (performance)
2:12

10. Chordal rhythms
5:05

11. Rootless voicings
5:15

12. Walking bass line with rootless chords (performance)
1:10
Lesson transcript
Practice Routines for Swing and Latin Comping
Before we leave swing comping behind and start to focus on Latin comping, I'd like to show you a few practice routines that you should revisit occasionally in different keys.
1-6-2-5 Sequence
For instance, in the key of G, let's take the 1-6-2-5 sequence. This is such a common sequence that it would be really helpful for you to practice it in different keys.
Chords in Key of G
We'll start with the diatonic 2-5, where all the chords are in the key of G:
- G Major (3 note rootless voicing)
- E Minor 9
- A Minor 7
- D9
See how those shapes hardly need to move! I'm going to put a walking bass line in the left hand. Loop them, get used to them, try out different rhythms, and practice them in different keys.
Easy Keys to Start
Try the easy keys first:
- Key of G
- Key of C
- Key of A Minor
- Key of D Minor
- Key of F:
- F
- D Minor
- G Minor
- C7
See if you can work out the voicings in the bass line and get comfortable with those.
2-5-1 Sequence
Now, let's look quickly at the 2-5-1 sequence, which is also a really common sequence, perhaps with long 2-5-1.
Chords in Key of C
We have a whole bar on each chord in the key of C:
- D Minor
- G9
- C Major or C6
Again, put the walking bass line in the left hand. Vary the rhythms! You can even vary the bass line as well, as long as you keep time.
Chords in Key of F
Now, we'll do a similar thing in the key of F, but leaving the chords in the same register with the same top note. Instead of D Minor with A on top, we've got G Minor with A on top.
We're going for four-note shapes now as well.
Rhythm Variations
That rhythm was an on-off rhythm where you play the second chord between beats two and three. Now we'll try the opposite: an off-on rhythm where the first chord is a little bit late, off the beat.
On one hand, you need to get equally familiar with both those rhythms and start mixing them up as well. Then you'll really be on point with your comping.
Practicing the Cycle of 2-5-1s
The best way to practice all these is to go around the cycle of 2-5-1s:
- D
- G
- C
- C
- F
- Bb
- Eb
- Ab
- Db
- Gb
- F#
- B
- Eb
That's six different keys you could practice for starters, going down in tones.
Good luck!
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Meet your guru

Meet your guru
Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz Piano, Blues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.
More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).
“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao
As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".
More info can be found on his website www.timrichards.ndo.co.uk




























