Lesson 25 of 29PianoIntermediate

Latin bass lines

3:10

Tim Richards covers common bossa nova bass lines on the piano, the roots-and-fifths two feel and the straight-eighths Latin feel.

Part of the courseJazz Piano: Accompanying29 lessons (1h 19m)

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29 lessons (1h 19m) · 1 free
    • 01. Latin bass lines

      You are here

      3:10

    • 02. Bossa bass line (performance)

      1:20

    • 03. Latin chordal rhythms

      4:38

    • 04. Bossa bass with chords (performance)

      1:15

    • 05. CHECKPOINT #2 - ICONIC VAMPS

      4:09

Lesson transcript

Exploring Bossa Nova and Its Connection to Jazz

The music of Brazil, particularly bossa nova style tunes, has a very similar harmonic vocabulary to jazz. Notable musicians like:

  • Antonio Carlos Jobim
  • Joo Gilberto
  • Stan Getz

were instrumental in popularizing this style in the 1960s. Since then, bossa novas have become an integral part of the jazz repertoire.

Bass Fundamentals

From the bass point of view, most bossa nova pieces work really well with a simple two feel. This is based on roots and fifths played in one and three, as we've done before.

  • This creates a neutral rhythm that fits both swing and Latin feels.
  • The difference lies in the right hand:
    • Swing: Play with swing quavers
    • Latin: Play with straight eights

Starting Point

If you're accompanying somebody else, the two feel is still a good place to start. However, once you're comfortable with this chord sequence, you can elaborate a little bit.

Here's a basic two feel:

  • This would work for D minor, D major, or even D7.

Elaborating the Bass Line

You can enhance your sound by adding a couple of extra notes or even another one.

Common Latin Rhythms

There are some other common Latin rhythms you should know about, most of which have a bit of syncopation in the middle of the bar with a strong accent on two and and four. For example:

  • You could play it like this (including the third note):
    • You'd need to make that F sharp if it was D major or D7.

A simpler alternative might sound like this, probably used when transitioning to another chord.

Most of these bass lines feature prominently in the next tune.

Bossa Bass Line: One Note Samba

This is based on the well-known Jobim tune One Note Samba. Although it's called a samba, it's really a medium tempo bossa nova.

Once you've got the bass line under your fingers, try accompanying someone. You'll need to find the melody on a lead sheet or sing it yourself, or get a friend (who could be a pianist, sax player, or guitarist) to play the melody while you accompany them on the bass.

Looking Ahead

In the following lesson, we'll look at adding some chords to that in the right hand.

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Meet your guru

Tim Richards

Tim Richards

Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz PianoBlues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.

More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).

“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao

As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".

More info can be found on his website www.timrichards.ndo.co.uk

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