POINT DE CONTRÔLE #2 - VAMPS ICONIQUES

Tim Richards
Tim Richards

Lesson time: (4min 9sec)

Tim Richards présente une poignée de vamps de jazz iconiques, comme 'Killer Joe' et 'Cantaloupe Island', dont les lignes de basse seront reconnues par n'importe quel musicien de jazz.

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This lesson is part of the course Piano jazz : l'accompagnement
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Lesson transcript:

Accompaniment Styles and Essential Vamps

So you've looked at a whole range of different accompaniment styles that you can use in any situation where you don't have a bass player because you'll be playing bass lines in the left hand.

Introduction to Important Vamps

In this checkpoint, we're going to explore just a few really important vamps that are associated with particular tunes. There's a PDF attached that includes about 20 different vamps. I'll just demonstrate a few of them.

Recognizable Vamps

  • Killer Joe
    You'll hear this one if you listen to Benny Golson's tune, Killer Joe. It features an on-off chord in the right hand with a specific bass line.

  • Cantaloupe Island
    Another recognizable bass line is from Cantaloupe Island, accompanied by comping in the right hand.

If you play either of these vamps, any jazz musician will know what tune you're going to play without you even needing to say the title. These grooves or rhythms are closely associated with the tunes and typically set them up effectively.

More Important Vamps

  • Song for My Father
    An unmistakable bass line paired with a minor 9th chord (F minor 9) gives you the flavor of this tune.

  • All Blues
    This is a very popular and well-known tune by Miles Davis. It features a kind of six-eight blues feel.

  • Take Five
    Now, everyone will recognize Take Five by Dave Brubeck.

  • Mercy, Mercy, Mercy
    Finally, I'll demonstrate Mercy, Mercy, Mercy by Cannonball Adderley, which was written by Joe Zawinul. This tune is in B flat and has a very recognizable refrain.

These are just a few of the vamps that you'll find in the PDF. I think there are around 20. Check them out, they will be very useful, I can assure you.

Listening Suggestions

Don't forget also to continue with your listening! I've suggested in the listening section of the PDF that you might want to check out comping, particularly in duo recordings.

Some notable duo recordings include:

  • Bill Evans and Jim Hall
  • Kenny Barron and Stan Getz

The piano players on these recordings are fantastic accompanists. When you're in a duo setting, there is a lot of pressure to deliver both bass and chords effectively in your accompaniment.

Walking Bass Lines

In terms of the bass line, several pianists have specialized in walking bass lines. For instance, you can look into:

  • Gene Harris
  • Lenny Tristano

You'll see all these references in the PDF.

Final Listening Recommendations

Finally, don't forget to listen to:

  • Ella Fitzgerald singing All of Me
  • Billie Holiday
  • Ray Charles
  • Aretha Franklin

Also, explore their versions of:

  • Drowning My Own Tears
  • One Note Samba (by Tom Jobim)

All of these are listed in the PDF as well. Enjoy your exploration!

About the instructor

Tim Richards
Tim Richards

Salué par la critique, le pianiste et compositeur de jazz Tim Richards est l'un des pédagogues de jazz les plus expérimentés de Grande-Bretagne, enseignant le piano en privé depuis plus de 30 ans, ainsi qu'au Morley College, au Goldsmiths College, à l'University of Surrey, aux Premises Studios et dans d'autres lieux au Royaume-Uni et à l'étranger. Il a produit de nombreux titres pour Schott Music, dont les best-sellers en deux volumes Exploring Jazz Piano, Blues, Boogie & Gospel Collection et le très apprécié Improvising Blues Piano. Il est également coauteur, avec John Crawford, de Exploring Latin Piano et Brazilian Piano Collection.Plus récemment, Schott a publié Jazz, Latin & Modern Collection (15 pièces pour piano seul), réunissant des originaux de Tim Richards aux côtés de pièces de Duke Ellington et Thelonious Monk, ainsi que le coffret en deux volumes Beginning Jazz Piano (désormais un cours MusicGurus en deux parties).“La véritable joie de la musique de Tim… c'est qu'elle est à la fois extrêmement pédagogique et tellement amusante à jouer. Quiconque a le moindre intérêt pour apprendre à jouer ou à enseigner le piano jazz devrait vraiment se procurer un ensemble des ouvrages de Tim.” PianoDaoEn tant qu'interprète, Tim est une figure de la scène jazz britannique depuis les années 1980, jouant aussi le blues avec des légendes britanniques et américaines telles qu'Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker et Mojo Buford. Il a sorti plus d'une douzaine d'albums en tant que leader (avec bon nombre des meilleurs musiciens de jazz de Londres, dont Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce et beaucoup d'autres) et a tourné dans toute l'Europe avec des formations allant du duo au nonette. Son dernier enregistrement, l'album ‘Telegraph Hill’ du sextet Hextet, a été décrit dans The Observer comme "Un pur bonheur du début à la fin". Plus d'informations sur son site web www.timrichards.ndo.co.uk read more

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