Soloing over a jazz blues chord progression
Lesson time: (3min 28sec)
PT Gazell builds a melodic solo over a jazz blues, thinking in phrases rather than riffs and working in some syncopation.
Course preview
This lesson is part of the course Introduction to the Gazell Method on Harmonica
Watch a preview of the full course below.
Lesson transcript:
Lesson Six: Exploring West Montgomery's "The Thumb"
Hi everybody! Welcome back.
In this lesson, we're going to continue with the West Montgomery tune, "The Thumb," which we learned the head for in the previous lesson.
What to Expect
- You will play a solo in addition to the head before we move on.
- I have written out a cool little solo that incorporates syncopation which you may not be used to.
Starting Off
One of the things I want you to think about is starting on a different note than usual. Typically, in a solo, you might start with the blues scale.
Here's the plan:
- We're going to start on the five blow in the solo.
- You can refer to your chart for reference.
Let's Dive In
So why don't we try this and see how much fun it can be?
- Intro: We will start with the vamp up in front.
- Play the Head: Then we'll play the head once more.
- Solo: Following that, we will move into the solo.
- Final Guitar Riff: One more guitar riff, then we jump back into the structure.
Solo Notes
- Begin with the five blow note, incorporating some syncopation.
- Then, jump to the seven draw note.
These are notes you might not typically consider when playing traditional 12-bar blues.
Expanding Your Skills
I'm trying to encourage you to explore some different possibilities that phrase nicely over the passing chords the guitar player is using on this track.
Practice Tips
- Go back and listen to me play it.
- You have the mix minus available to practice on your own.
- Make sure you get familiar with the melody and the solo.
We'll be back in the last lesson to add one more cool element to this song. Enjoy!
About the instructor

PT Gazell has earned his position as a master of the diatonic harmonica. After years as the sought-after side man and session player for some of Nashville's greatest, PT discovered half-valving and his music literally soared to new heights. No other player combines his phrasing, melodic style, song choices and improvisational abilities the way he does - in the end, it is a style all his own. Using his own signature instrument, the Gazell Method diatonic manufactured by Seydel, PT proves that the harmonica is capable of far more than most of us believe. Dig it! In his courses, PT teaches half-valving straight from the source - so you can get started with the Gazell Method, master valved bends, and bring them into your own songs. read more




