The Note E - Fingering and Exercises
With
James RaeLearn the note E on saxophone - its fingering, where it sits in the top space of the stave, and exercises to get comfortable reading and playing it.
Copyright © 2023 Universal Edition (London) Ltd., All compositions by James Rae except where otherwise indicated.
What's in the course
30 lessons (0h 35m) · 1 free
01. The Note E - Fingering and Exercises
You are here3:00
02. Go For It! - Lesson
0:30
03. Go For It! - Performance
0:36
04. Little Waltz - Lesson
1:15
05. Little Waltz - Performance
0:33
06. In The Park - Lesson
1:39
07. In The Park - Performance
0:42
08. Being There - Lesson
0:38
09. Being There - Performance
0:30
Lesson transcript
Introduction to the Note E
The next section of the course introduces the note E.
Fingering for E
- E lives in the top space on the stave.
- Fingering: It is fingered like D, but minus the bottom finger:
- 1, 2, 3, 1, 2, off (keeping your thumb down).
Listening to E
- E sounds slightly higher than D.
Exercises
Exercise 1: Counting Exercise
- This is a simple counting exercise on the E.
- Familiarize yourself with reading the E in that top space.
Exercise 2: Note Approach
- Approaches the E from various notes:
- Start with D, then down to C, down to B, and finally settling on A.
- Play each bar twice for a good workout.
- Tricky little exercise:
- Moving from C up to E and D to E is easy.
- However, moving from C to E and B to E is difficult, as you need to move all your fingers very cleanly.
Exercise 3: Up and Down the Hill
- This exercise involves going up and down a hill, approaching the E by step.
Exercise 4: The Leap
- Based on leaps involving the E, you'll approach the E by a leap.
- This provides an unsettling energy to round things off.
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Meet your guru
Meet your guru
James Rae was born on Tyneside in 1957. He studied clarinet, bass clarinet, piano and composition at the Guildhall School of Music and Drama from 1975 to 1979, under professors Yona Ettlinger, Stephen Trier, Meriel Jefferson and Patric Standford respectively. Since leaving the Guildhall, he has pursued a highly successful and varied career across three areas: performing, writing and teaching.
James Rae has worked in many West End and Royal National Theatre productions, including Sir Peter Hall's award-winning Oresteia with music by Sir Harrison Birtwistle, and has received many freelance engagements with some of the country's leading orchestras and ensembles. He is the leader of the Phoenix Saxophone Quartet, who over the years have given many recitals and BBC broadcasts, and have recorded the complete works of Carey Blyton on two albums, 'The Return of Bulgy Gogo' and 'Sherlock Holmes meets Dr Who'.
As a composer, James Rae is one of Europe's most published writers of educational wind music, with over 250 publications to his credit, mainly published by Universal Edition. His music includes instrumental study books, sonatas, tutors, baroque, classical and jazz transcriptions, plus many volumes of duets, many of which feature on all the major wind examination syllabuses worldwide. He has also written four musicals for schools with Mike Cornick, and his larger commissions include The Turn of a Wheel, a major work for concert band that premiered in November 1999 for the North Tyneside Concert Band, of which he was a founder member as a boy, and the overture Moving On in 2012.
James Rae has worked extensively as a syllabus consultant and composer for both the Associated Board and Trinity College London, and has been highly involved in developing the woodwind sight-reading requirements for both exam boards. As a teacher, he has held many posts in both the state and independent sectors, and currently works at King's College School Wimbledon, where he directs the Wind Orchestra and Concert Band, and Shrewsbury House School in Surbiton, where he coaches three large bands and a chamber group. That teaching experience runs right through his saxophone series for MusicGurus, which takes you step by step from your very first notes to a confident, stylish player: First Notes, New Keys & Low Notes, Expanding Your Range, Scales & High Notes, Extended Range & Rhythm, and Polish & Style.
