Lesson 3 of 42SaxophoneBeginner

The Language of Music

2:23

James Rae demystifies reading music for beginner saxophonists: note values (crotchets, minims, semibreves), keeping a steady pulse, and practising with a metronome.

Copyright © 2023 Universal Edition (London) Ltd., All compositions by James Rae except where otherwise indicated.

Part of the courseSaxophone: First Notes42 lessons (0h 56m)

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What's in the course

42 lessons (0h 56m) · 1 free
    • 01. Introduction and Assembly Instructions

      2:40

    • 02. The Embouchure and Producing the First Sounds

      Free lesson

      4:52

    • 03. The Language of Music

      You are here

      2:23

    • 04. Tonguing

      5:39

    • 05. Tuning

      2:19

    • 06. How to practice

      2:55

Lesson transcript

The Language of Music

Music is a very, very simple language to read. It deals with the first seven letters of the alphabet and generally only counts up to four, making it a very easy code to crack.

Debunking the Myths

There is a stigma surrounding music that it is hard to read and that music theory is dull and awkward.

"It's not. It's a piece of cake if it's done correctly."

Nobody has really come up with an easier way of notating music than the traditional method we know.

The Simple Units

  • Note Values:
    • Crotchets: 1 beat (in 4/4)
    • Minims: 2 beats
    • Semibreves: 4 beats

If I clap a pulse, crotchets would be the shortest, while minims and semibreves are much longer.

The Importance of Pulse

Pulse is essential when you play music. Developing a solid pulse is probably the best asset a musician can have because:

"Without pulse, it's like trying to hang washing on an invisible washing line. You just don't know where the notes are going to be placed."

With a pulse, you know exactly where the notes are going to be. This is the ruler with which you measure your note lengths.

Using a Metronome

A metronome is a really useful tool to have. You can get digital or mechanical metronomes, which are great practice tools to keep you in time.

"If you're in time with the metronome, you are correct. If you're not, you're wrong."

Note Naming Conventions

For our viewers in America:

  • Crotchets are your quarter notes.
  • Minims are your half notes.
  • Semibreves are your whole notes.

In the UK, we use:

  • Crotchets, Minims, and Semibreves.

Another difference is terminology regarding sections of music:

  • Bar (UK) = Measure (USA)

Understanding Time Signatures

The time signature determines how many beats per bar. In 4/4 time:

  • We have four crotchet beats per bar (or four quarter note beats).
  • This equates to two minims or one semibreve.

"If you grasp that from day one, the rest of the music theory will just fall into place."

Music Notation Basics

As mentioned earlier, music notation involves the first seven letters of the alphabet: A, B, C, D, E, F, G. These are written on what's called the stave or staff, which consists of five lines.

Notes on the Staff

The notes appear on the lines and in the spaces:

  • Lines (from bottom to top):

    • E, G, B, D, F
    • (Mnemonic: "Every good boy deserves favour")
  • Spaces (from bottom upwards):

    • F, A, C, E
    • (Spells out the word "face")

How simple is that?

Getting Started with Lessons

When we start into the lessons in the book, we won't deal with anything nearly as complicated. It will be really, really basic, and we'll learn:

  • One note per lesson in the early stages to fully absorb the concepts.

The material in the book is written so that even with one note, you'll be playing something that sounds like a proper piece of music. Each piece comes in duet form so that the teacher or another pupil can play along.

Backing Tracks

Additionally, there's a backing track featuring recordings of all band and orchestral instruments to really make you feel like you're playing in a group.

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Meet your guru

James Rae

James Rae

James Rae was born on Tyneside in 1957. He studied clarinet, bass clarinet, piano and composition at the Guildhall School of Music and Drama from 1975 to 1979, under professors Yona Ettlinger, Stephen Trier, Meriel Jefferson and Patric Standford respectively. Since leaving the Guildhall, he has pursued a highly successful and varied career across three areas: performing, writing and teaching.

James Rae has worked in many West End and Royal National Theatre productions, including Sir Peter Hall's award-winning Oresteia with music by Sir Harrison Birtwistle, and has received many freelance engagements with some of the country's leading orchestras and ensembles. He is the leader of the Phoenix Saxophone Quartet, who over the years have given many recitals and BBC broadcasts, and have recorded the complete works of Carey Blyton on two albums, 'The Return of Bulgy Gogo' and 'Sherlock Holmes meets Dr Who'.

As a composer, James Rae is one of Europe's most published writers of educational wind music, with over 250 publications to his credit, mainly published by Universal Edition. His music includes instrumental study books, sonatas, tutors, baroque, classical and jazz transcriptions, plus many volumes of duets, many of which feature on all the major wind examination syllabuses worldwide. He has also written four musicals for schools with Mike Cornick, and his larger commissions include The Turn of a Wheel, a major work for concert band that premiered in November 1999 for the North Tyneside Concert Band, of which he was a founder member as a boy, and the overture Moving On in 2012.

James Rae has worked extensively as a syllabus consultant and composer for both the Associated Board and Trinity College London, and has been highly involved in developing the woodwind sight-reading requirements for both exam boards. As a teacher, he has held many posts in both the state and independent sectors, and currently works at King's College School Wimbledon, where he directs the Wind Orchestra and Concert Band, and Shrewsbury House School in Surbiton, where he coaches three large bands and a chamber group. That teaching experience runs right through his saxophone series for MusicGurus, which takes you step by step from your very first notes to a confident, stylish player: First Notes, New Keys & Low Notes, Expanding Your Range, Scales & High Notes, Extended Range & Rhythm, and Polish & Style.

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