Lesson 12 of 29PianoIntermediate

Opening out Left-hand Chords

3:57
Tim shows you how to open out chord progressions in the left hand
Part of the courseExploring Jazz Piano: Functional Harmony & Modes29 lessons (1h 51m)

This lesson is part of the full course. 1 lesson is free to watch.

from$13/month

Explore the course
Cancel anytime30-day refund
Tim RichardsYour guruTim Richards

What's in the course

29 lessons (1h 51m) · 1 free
    • 01. The Diatonic Cycle

      4:01

    • 02. Brazilian Rhythms

      3:29

    • 03. BOSSA NOVA COMPING #1 - Performance

      1:12

    • 04. Major & Minor Sixth Chords

      3:28

    • 05. FLY ME TO THE MOON - Performance

      0:54

    • 06. Secondary Dominants

      2:15

    • 07. Horizontal & Vertical Improvisation

      3:22

    • 08. Opening out Left-hand Chords

      You are here

      3:57

    • 09. AUTUMN LEAVES - Performance

      1:35

    • 10. Syncopating the melody

      5:16

    • 11. The Blues Scale

      3:24

Lesson transcript

Autumn Leaves Music Lesson

Our next tune, "Autumn Leaves," is a really well-known standard that you should be familiar with. It's another example of a tune based on the diatonic cycle, and this time we're in the key of B flat.

Key Points

  • Chords: Learn all these chords up and down.
  • Notes: All notes come from the scale of B flat major (two flats: B flat and E flat).

Voicing Techniques

You don't always have to play these chords in root position. A really common style, especially for solo piano, is to open out the voicing. Here's how to do this:

  • In the left hand, use a bit of pedal to keep the bass note from disappearing.
  • If you keep the bass note with the pedal, you can achieve a nice sound.
  • If you have a big hand, you may be able to stretch without using the pedal.

Open Voicing Example

  • Notice that I'm alternating an open voicing with the third moved up an octave.
  • The D goes up here with a root position:
    • Open root, open root, open.

All those open voicings are created by moving the third of the chord up an octave.

Triad Simplicity

You can simplify things by just playing triads.

  • For example, your B flat major triad would be:
    • Root: 5, 3.
  • If you want to include the seventh, you could do it like this:
    • Root: 7, 3.
  • Alternatively, you could play both, as we did earlier.

Chord Progression in Autumn Leaves

"Autumn Leaves" starts on the II chord, unlike "Fly Me to the Moon," which started on the sixth chord (A minor in the key of C).

Chords to Play

In B flat, the first chord is:

  • C minor
  • F7
  • B flat major
  • E flat major
  • Half diminished (D7)
  • G minor 7
  • You could also play G minor 6.

Note that the D7 in bar 6 isn't in the key of B flat because it has an F sharp in it. This is our secondary dominant. Just as in "Fly Me to the Moon," this spice adds to the harmony and takes us to the relative minor.

Summary of Progression

  • First four chords: Key of B flat (ii, V, iv)
  • Next chord: Half diminished (you could call it seven, but it's also the II chord in the key of G minor).

So we have a II V I at the beginning in B flat, and then another II V I in the second half, which covers the first eight bars in G minor. This follows the same concept as in "Fly Me to the Moon" but is organized a little differently.

$13/monthSubscription

29 lessons

1h 51m of structured video lessons

Advanced video features

Slow down, loop a passage, follow along

Mobile, tablet & desktop

Practise wherever you are

100% satisfaction guarantee

30-day money-back guarantee

Meet your guru

Tim Richards

Tim Richards

Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz PianoBlues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.

More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).

“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao

As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".

More info can be found on his website www.timrichards.ndo.co.uk

Tim Richards
Pat Levett
Katie Melua
Ed O'Brien
Imogen Heap
Joe Glossop
Frank Doll
Chet Atkins
Chris Haigh

Learn from Tim Richards and hundreds of others

Get MusicGurus

Unlimited access, money back guaranteed

$13/month

Subscription