Major and Minor Tonic Chords and Scales

With
Tim RichardsTim Richards runs through your options for major and minor tonic chords - triads, sixths, sevenths and ninths - and the scales that go with them.
What's in the course
31 lessons (1h 44m) · 1 freeLesson transcript
Tonic Chords in Major and Minor Keys
In this lesson, let's review the choices you have with tonic chords in major and minor keys.
Major Key Options
For instance, if the key is C, you might encounter several options:
- You might play a triad.
- You might play a sixth chord.
- You might play a major seventh.
But it doesn't stop there! You can also play:
- A major ninth
- A major six, nine
That's actually five different ways of playing the I chord.
Minor Key Options
In minor, you have even more choices. For example, you could play:
- C minor triad
- C minor 6
- C minor 7
Some further options might include:
- C minor with a major seventh (a quite exotic sounding chord)
- C minor 9
- C minor 6, 9
- C minor major 9
Hear it down here. This creates a really moody chord, and we will be using that chord in the next tune, White Russian.
Improvisation Tips
You may be thinking, "How am I going to improvise over that C minor major 7 chord?"
One solution to that is to use the melodic minor scale, which has a B natural in it. You wouldn't want to use the melodic minor over a C minor 7 chord, as it would clash with the B flat in the chord.
Now that we've gravitated towards this major seventh sound, it could sound effective. This scale also fits C minor 6.
Minor Scales at Our Disposal
We have three minor scales at our disposal:
- Dorian - Fits C minor 6 or C minor 7.
- Melodic - Fits C minor 6 and C minor major 7.
- Harmonic Minor - Fits C minor major 7 as well.
These will provide three different colors of the minor that you'll be hearing in White Russian.
We will be playing those two chords in the solo using either the melodic or harmonic minor scale.
31 lessons
1h 44m of structured video lessons
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Meet your guru

Meet your guru
Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz Piano, Blues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.
More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).
“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao
As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".
More info can be found on his website www.timrichards.ndo.co.uk











































