Lesson 5 of 29PianoIntermediate

Guide tones

3:00

Adding the 3rd and 7th of the chord in the right hand

Part of the courseJazz Piano: Accompanying29 lessons (1h 19m)

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What's in the course

29 lessons (1h 19m) · 1 free
    • 01. Playing the roots

      2:34

    • 02. Two-feel bass line

      2:26

    • 03. Two-feel bass line (performance)

      1:12

    • 04. Guide tones

      You are here

      3:00

    • 05. Two-feel bass with guide tones (performance)

      1:06

    • 06. Adding right-hand chords

      2:37

    • 07. Two-feel bass with chords (performance)

      1:08

    • 08. Walking bass lines

      5:31

    • 09. Walking bass line (performance)

      2:12

    • 10. Chordal rhythms

      5:05

    • 11. Rootless voicings

      5:15

    • 12. Walking bass line with rootless chords (performance)

      1:10

Lesson transcript

Two Feel Bass Line and Right-Hand Harmony

The two feel bass line you just played is one of the most basic and important ways of accompanying a melody in the left hand.

  • Accompanying Others: Even if you don't play the melody, you can accompany someone else. You're basically imitating a bass player.

Practice Generating a Bass Line

  • Practice this way of generating a bass line with other tunes from your fake book.
  • Alternatively, use any tune that you already know.
  • Just think about the chords and generate a bass line using this method.

Adding Chords in the Right Hand

Now we're going to add some chords in the right hand to flesh it out a little bit, creating a two-handed accompaniment against the same two feel bass.

Simple Right Hand Harmony

The simplest way of adding some right hand harmony is to just play two notes. The most obvious notes to choose are the third and seventh of the chord, often called guide tones.

Here's a quick guide through basic guide tones for a few different chord types:

  • C Major:

    • Play E and B
    • You can also play them inverted: B and E.
  • C6:

    • Play E and A
    • For sixth chords, the sixth replaces the seventh: A and E.
  • E7 (Dominant Chord):

    • The third and seventh are your go-to choice of notes.
    • For E7, that would be G sharp and D.
    • You can also flip it to D and E sharp, or D and G sharp.
  • Minor Chord (F Minor):

    • The third and seventh will be A flat and E flat.
    • You can flip it over for a perfect fifth and perfect fourth.
  • Minor Sixth Chord:

    • You'll be playing the minor third and the sixth, which are also tritones: A flat to D.

Using Tritones in Context

So far, we've used a tritone in a dominant seventh context. Now you know that you can also use it for a minor sixth chord.

Example: II V Progression

Before we try this over the chords of "All of Me," let me point out:

  • When you have a II V progression from D minor to G7, you only need to move one note.

    • If you're playing F and C for D minor, simply move the C to A, B.
    • That's all you need to do. Job done.
  • For the other position (D minor), if you have C and F, move the C to A, B.

    • The seventh falls to the third.

This approach is very economical!

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Meet your guru

Tim Richards

Tim Richards

Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz PianoBlues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.

More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).

“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao

As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".

More info can be found on his website www.timrichards.ndo.co.uk

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