Free lessonLesson 1 of 15PianoIntermediate

A classic blues turnaround and ending

3:26

Tim Richards plays a slow blues in C with a 12/8 feel and shows a classic turnaround and ending to round off the progression.

Part of the courseAdvanced Blues Piano: Styles & Performance15 lessons (0h 50m)

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15 lessons (0h 50m) · 1 free
    • 01. A classic blues turnaround and ending

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      3:26

    • 02. 'Slow 12/8 Blues' (performance)

      0:58

    • 03. Using sustain pedal with stretch voicings and left-hand tenths

      4:46

Lesson transcript

Slow Blues in C - Lesson

Introduction

We're going to stay in C for this lesson and play another slow blues, this time with a 128 feel. That means that we're dividing each beat into three:

  • 1, 2, 3,
  • 4, 5, 6,
  • 7, 8, 9,
  • 10, 11, 12.

Alternatively, you could count it as:

  • 1 Anna,
  • 2 Anna,
  • 3 Anna,
  • 4 Anna.

Time Signature

12/8 and 4/4 are basically similar. They've got four beats to the bar, but we're dividing those beats into three.

Example Groove

An example of a 128 groove would be the triplet thing that we've done many times. All that was kind of 12/8 , 12 of those in a barrel.

Structure

This starts with a four-bar intro. The four-bar intro in this case is exactly the same chords as the last four bars.

Chord Progression

  • Starts on the V chord: G7
  • Then to F7, ending on the G7.

G7 Stretch Voicing

I'm going to play a stretch voicing on this G7 chord, which is a new shape:

  • The right hand is stretching from F to G (that's a ninth).
  • It doesn't matter if you clip the bottom note or even the top note because they are just F and G as well.

So even if you've got a small hand, you can play these stretch voicings. In the middle, we're going to have the third with the index finger and maybe the sharp five as well, which makes it G7 augmented.

Harmonizing

We'll be doing the same run-up before that as in the last lesson, but we're going to harmonize it in the right hand now like this:

  • C, C7 with E bass.
  • F, F# diminished to C with G bass.

Classic Blues Turnaround

This forms a classic blues turnaround, which you can also use as an ending.

Right Hand Triplets

The triplets in the right hand are pretty clear there, aren't they? You could play it more simply.

Accompaniment Pattern

Once we've got the four-bar intro out of the way, we'll be going into an accompaniment pattern using this ninth shape.

  • Looked at that before; it's a third inversion C7 chord with the root moved up to the ninth, staying with the same note on top for F9.
  • There will be a surprise coming up after in bar nine as a surprise.

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Meet your guru

Tim Richards

Tim Richards

Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz PianoBlues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.

More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).

“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao

As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".

More info can be found on his website www.timrichards.ndo.co.uk

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