Breaks de introducción de cuatro compases y algunos licks nuevos para la mano derecha

Tim Richards
Tim Richards

Lesson time: (6min 38sec)

Tim Richards trabaja la introducción de cuatro compases de 'Rockaboogie', usando un acorde disminuido y un lick de blues clásico, además de algunas ideas nuevas para la mano derecha.

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This lesson is part of the course Blues avanzado al piano: estilos e interpretación
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Lesson transcript:

Music Lesson

Intro and Chords

Now, it's going to start with a four-bar intro and we're going to use a diminished chord as the second chord.

  • The first chord is C7, played in second inversion in the left hand.
  • Then, I move down to what looks like F# diminished.

That's a symmetrical chord. Because it's symmetrical, you could also call that C diminished; it has the same notes as A diminished or Eb diminished. They're all the same anyway. It's right next door to our C7 chord.

Classic Blues Lick

The fourth bar of the intro features another classic blues lick with the minor third very prominent there.

  • The minor third and the sixth will be very important as we get going.

The Second Chorus

The second chorus features a lick which is repeated without changing over the C and the F.

  • Doing this an octave lower or two, you could call it a minor sixth lick.
  • It's got an A and an Eb.

These notes will be the same over both the C and the F chord.

  • You need to play the D and the C with the thumb; otherwise, it's just unplayable.
  • You remember we did a lick like this in Happy Blues, but it was major.

This is a minor version of it.

  • In C, that would be this.
  • But we're putting the minor third instead of the major third, and also the sixth.

Practice Suggestions

You could practice all this stuff with Barrel House to start with or with the on off boogie left hand or the blue fifth Boogie left hand. However, this left hand is slightly different than the Pete Johnson one.

Breaks and Call and Response

This piece actually has two four-bar breaks. The second one is a call and response between the hands, and you need to use some pedal.

The notes are grouped in threes:

  • 1, 2, 3
  • 1, 2, 3
  • 1, 2, 3
  • 1st, 2, 3, 4, 3, 4.

Make sure you get that really in the pocket.

  • You'll also need to hit the other rhythm, which requires lots of left hand practice.
  • You'll need to do that so I can demonstrate the right-hand lick.

Right-Hand Lick

Basically, that's a sixth lick with chromatic notes.

After this four-bar break, you're into an on off pattern against this left hand.

  • In fact, it's an off on, on off rhythm.
  • It's a two-bar pattern just like the one we used in part one of the 10th lesson - Barrel House Blues.

Do you remember?

  • Off on, on off; off, on, on off.

So those chords need to be really precise.

  • The first chord is off the beat.
  • In the second bar, that chord will be on the beat.

The only difference between them is one's got Eb in , that's an F9, and the other one's got E natural in , that's a C6.

About the instructor

Tim Richards
Tim Richards

Aclamado por la crítica, el pianista y compositor de jazz Tim Richards es uno de los educadores de jazz más experimentados de Gran Bretaña, y ha enseñado piano de forma privada durante más de 30 años, además de en el Morley College, el Goldsmiths College, la University of Surrey, Premises Studios y otros centros del Reino Unido y del extranjero. Ha producido numerosos títulos para Schott Music, entre ellos los superventas en dos volúmenes Exploring Jazz Piano, Blues, Boogie & Gospel Collection y el aclamado Improvising Blues Piano. También es coautor, junto con John Crawford, de Exploring Latin Piano y Brazilian Piano Collection.Más recientemente, Schott ha publicado Jazz, Latin & Modern Collection (15 piezas para piano solo), que reúne originales de Tim Richards junto a piezas de Duke Ellington y Thelonious Monk, y el estuche de dos volúmenes Beginning Jazz Piano (ahora un curso de MusicGurus en dos partes).“La verdadera alegría de la música de Tim… es que resulta a la vez enormemente didáctica y tremendamente divertida de tocar. Cualquiera con el más mínimo interés en aprender a tocar o a enseñar piano de jazz debería hacerse sin falta con una colección de los libros de Tim.” PianoDaoComo intérprete, Tim ha sido una presencia en la escena del jazz británico desde la década de 1980, tocando también el blues con leyendas del Reino Unido y de Estados Unidos como Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker y Mojo Buford. Ha publicado más de una docena de álbumes como líder (con muchos de los mejores músicos de jazz de Londres, entre ellos Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce y muchos otros) y ha girado por toda Europa con formaciones que van del dúo al noneto. Su última grabación, el álbum ‘Telegraph Hill’ del sexteto Hextet, fue descrita en The Observer como "Una auténtica delicia de principio a fin". Puedes encontrar más información en su sitio web www.timrichards.ndo.co.uk read more

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