Lesson 8 of 9HarmonicaBeginner

Simple boogie rhythm

5:25

The simple boogie or shuffle rhythm that's used as the basis of the blues

Part of the coursePlay the Blues on a C Harmonica in 8 lessons9 lessons (0h 54m)

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Mat WalklateYour guruMat Walklate

What's in the course

9 lessons (0h 54m) · 2 free
    • 01. Getting familiar with your harmonica

      Free lesson

      3:56

    • 02. Simple chord rhythm, first blues solo

      8:52

    • 03. Learn a simple blues solo

      7:04

    • 04. Embouchure (lip shape)

      4:51

    • 05. When The Saints Go Marching In

      12:37

    • 06. Toungue blocking

      8:03

    • 07. Playing scales

      1:58

    • 08. Simple boogie rhythm

      You are here

      5:25

    • 09. BONUS: Learn to play The Beatles, Love Me Do

      Free lesson

      1:48

Lesson transcript

Boogie Rhythm on the Diatonic Harmonica

Hello, my name's Matt. What we're going to look at now is playing a very simple boogie rhythm on the diatonic harmonica.

Introduction to Boogie Rhythm

You'll have heard something like this if you've listened to any music from the past hundred years. I'll give you a quick demonstration. Sometimes it's called the shuffle rhythm, and sometimes it's called a boogie rhythm. Here, we're calling it a boogie rhythm, and it's quite straightforward if we approach it slowly.

This rhythm fits along with the 12 bar blues in the appropriate key, which as usual is G in this case. There will be some tab for this on the site that tells you which notes to play and when.

Choosing Your Starting Note

You've probably noticed, if you try to play the harmonica a bit, that two draw is a difficult reed to play. It's challenging to make the note sound good at first. We tend to get this, which isn't very good.

What we're looking for is this:

  • Two draw and three blow are the same note; both are notes of G.
  • The three blow is very stable; you can't really make three blow misbehave.
  • However, two draw will go flat; it will go down in pitch with very little encouragement.

So, if you're struggling with two draw, and most people do when they first start, then use three blow instead because it's much easier to play.

Boogie Rhythm Structure

The boogie rhythm starts off with this melody line, and we get that twice. This covers the first four bars of the 12 bar blues. Then the chord changes, so we change the melody that we're playing.

  1. Start from hole number four blow.

    • Play that once.
  2. Play the first melody again just once.

    • This takes us to the end of bar number eight.
  3. For bar number nine, breathe in holes four and five together and say "D D," but there's a beat in between the Ds.

It sounds like this, like so.

  1. To finish off, we play a line that's very similar to the first line, except there's one note less, and we phrase the last three notes slightly differently.

It sounds like this, I'll play it again, like so.

When we put that all together, it follows a 12 bar blues, and it sounds quite good, quite melodic.

Demonstration

I'll play it for you nice and slow. If you want to join in, please feel free.

After a count of four:

1, 2, 3, 4.

And there you go!

Playing Along with the Guitar

Okay, folks, let's try playing the boogie rhythm along with the guitar. It will be after a count of four. You can either start on hole two draw or three blow, whichever one works best for you.

Here we go:

1, 2, 3, 4.

There!

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Meet your guru

Mat Walklate

Mat Walklate

Mat Walklate is a Manchester-based harmonica player and teacher working in blues and folk, who also plays flute, whistle and uilleann pipes and sings. He won the British Blues Harmonica Championship in 1992 and the All-Britain Fleadh Cheoil on harmonica in 1993, and is a Seydel-endorsed artist.

Over a thirty-year career he has toured Europe with bands including The Moochers and the Irish-music group The House Devils, recorded and mixed some fourteen albums between 2001 and 2021 - among them Sea of Blues and Traditional Harmonica - and now performs in a duo with singer-guitarist Alex Haynes and alongside blues scholar Dr Tom Attah. He teaches harmonica at Leeds Conservatoire and privately.

On MusicGurus his courses take you from your first notes on a C harmonica - embouchure, the cross-harp position, bending and your first improvisation - through to fluent blues playing, with vibrato, alternative positions and the phrasing that makes a solo sing.

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