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Mêler comping rythmique et mélodique

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Apprends à entremêler le comping rythmique et des lignes mélodiques, en insérant des phrases à une seule note issues de la gamme pentatonique mineure de La dans un groove funk sur Am et Dm7.

Extrait du coursRockschool Guitare Grade 744 leçons (3h 49min)

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44 leçons (3h 49min) · 1 gratuites
    • 01. Introduction aux approches de l'improvisation

      1:00

    • 02. Embellir une mélodie

      5:36

    • 03. Défi : Envoie ta mélodie

      0:26

    • 04. Les accords de septième

      6:38

    • 05. Composer ton solo

      8:53

    • 06. Extensions supplémentaires et accords sus

      4:19

    • 07. Accompagner dans deux styles musicaux différents

      Leçon gratuite

      8:36

    • 08. Mêler comping rythmique et mélodique

      Tu es ici

      4:24

    • 09. Impro rythmique et comping

      9:55

Transcription de la leçon

Improvisation in Music

Okay then, guys, the final point I want to make regarding improvisation, now that we've looked at both melodic aspects and rhythmic aspects, is that they are not two separate entities, okay? These things are very much interchangeable with one another.

Rhythm and Melody Interchangeability

  • If you're performing in more of a rhythmic role, there's nothing to say that you can't throw in some fills and lead lines.
  • When you're soloing, having a more rhythmic driving section as part of your solo can be really effective.

Funk Example

So, what I'd like to show you is to go back to that funk example we looked at earlier with regards to rhythmic comping. Let me share some simple ideas that you can incorporate around what we've already established to create more movement by using single-note phrases.

Example Phrase:
1, 2, 3, 4... Just something like that.

We're still on our A minor and D minor seven chord changes here. Rather than just sticking to what we had before, which sounds great, we could create a little melodic phrase that works with both chords, which is what I've done.

  • Melodic Phrase: I've used the A minor pentatonic scale to play this little phrase in the middle.
  • It complements both chords equally.

Incorporating Rhythm in Solos

This is a simple example of where you can take a rhythmic part and inject some lead and fill work. When you're soloing, consider starting a solo with a more rhythmically based idea. This approach helps ease into a more complex solo, rather than jumping straight into a blazing performance.

  • Use rhythmic ideas and chord ideas as part of your solo to establish it.
  • Gradually make your way up the fretboard before introducing lead lines and flashy licks.

Notable Examples in Modern Music

You can hear examples of this with your favorite players. If you listen closely, what you might perceive as rhythm parts in a verse or chorus usually features some elements of lead improvisation as well.

  • Modern Examples:

    • Tracks like Uptown Funk showcase stylistic funky chords alongside lead fills.
  • Classic Rock:

    • Artists like Jimi Hendrix and Prince often incorporate heavily rhythmic elements into their solos, showcasing lead guitar skills intertwined with rhythmic comping.

Listening and Learning

It's worth honing in on the guitar parts when you listen to your favorite artists. Use headphones to really capture what's going on.

  • Try to spot the intricate details:
    "Oh yes, I've spotted that he's doing this in this section."

You might find elements you haven't noticed before simply by focusing on those parts.

Conclusion

Improvisation is a huge topic. While we've discussed a few key concepts to help you along the way, continue to explore and enjoy the journey.

See you soon!

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