Blue Espresso
MusicGurus
Lesson time: (12min 5sec)
Marcus Bonfanti décortique Blue Espresso, un morceau de blues aux accents de B.B. King issu du Rockschool Guitar Grade 6, avec des conseils sur le phrasé et le feeling.
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This lesson is part of the course Rockschool Guitare : Grade 6
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Lesson transcript:
Music Lesson: Exploring "Blue Espresso"
So that was Blue Espresso, another great tune! This is a fantastic blues song that allows you to express yourself and features a great melody line to get under your fingers.
Influences and Style
-
B.B. King:
- This song bears the hallmarks of B.B. King's playing, and his influence is evident throughout.
- Any guitarist interested in playing blues music should listen to B.B. King and appreciate his expressive guitar touch.
-
Stylistic Elements:
- This piece is rooted in the blues with a very nice swing.
- You can incorporate jazz elements into your playing if that's your style.
Guitar and Amp Settings
- I'm using a Fender Telecaster, but remember, B.B. King played a Gibson 335, famously known as Lucille.
- You don't need a 335 to achieve this sound; you can play the blues on any guitar, including a Telecaster, which was a favorite of Albert Collins.
Setup
- Neck Pickup: Selected for a warmer tone.
- Tone: Rolled off about a quarter.
- Amp Settings: Set to a crunchy sound that isn't overly driven. This strikes a sweet balance:
- Soft Playing: Produces a sweet tone.
- Digging In: Adds bite and expressiveness.
Expressive Playing
- This tune allows for a lot of light and shade.
- Your examiner will likely expect you to show a dynamic range:
- Besides just playing it cool, allow the piece to take the listener on a journey.
Techniques to Focus On
-
Trills and Partial Chords:
- The first note of the first bar is a partial chord.
- A Bb7 chord is used, which omits the root because the bass player will cover that.
-
Creating Freedom:
- Playing partial chords gives you flexibility for finger movement.
-
Using Trills:
- Combine a trill with a grace note (a hammer-on) at the start.
- Practice slowly to maintain timing:
- Example: (Hammer-on sample)
- Repeat endlessly without plucking the right hand.
-
Varying Technique:
- Add a trill to the partial chord for a bouncing effect.
Approaching the Solo
- Focus on feel over technique:
- This is where many guitarists excel; pay attention to emotional delivery (e.g., B.B. King, Freddie King, and Peter Green).
Scale Insights
- Primarily use the blues scale, but blend in major thirds to enhance your solo:
- The Bb major third and the Eb major third can elevate your sound.
- Experiment with Mixolydian scales without rigidly adhering to them, think in terms of desired sounds and feelings.
Performance Tips
- When soloing, embrace stops for dynamics:
- You can play very straight over a swung rhythm to keep it interesting.
Creative Exploration
- Have fun with the piece; once the melody line is solid, experiment with sounds and familiar passages.
- Drawing from earlier riffs can add familiarity to your solos.
Recommended Listening
- To delve into the blues, check out musicians like:
- B.B. King
- Freddie King
- Peter Green
- Albert Collins
- Shuggie Otis:
- His early work, especially his second or third record, showcases youthful blues prowess worth exploring.
So, that's Blue Espresso! I can tell you're going to have a lot of fun with it, so make sure you do. Good luck!
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46 lessons (3h 57m)
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