La section ‘A’
Lesson time: (3min 36sec)
Tom Seals décompose la section ‘A’ de ‘Hallelujah I Love Her So’ de Ray Charles au piano - les accords, les renversements et un turnaround 2-5-1.
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This lesson is part of the course Deviens l'ultime « Piano Man »
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Lesson transcript:
Lesson: A Section in G
Introduction
So let's start with the A section. Of course, we're in the key of G. So just a simple G chord to start with.
Chord Breakdown
- Now, it's a G over B.
- This means:
- Right hand is G
- Left hand is a B.
- This means:
- That's it in the most simplest of forms.
First Bar
The first bar we've got:
"Let me tell you about a girl, C that I know, D7."
You'll see, like we were doing before, looking at an inversion.
- D7: We're moving the C at the top.
- We're going to move it down to the bottom just so it's a bit more comfortable for our hands to play.
First Line
So this first line is as simple as this:
"Let me tell you about a girl that I know and again, she's my baby, she lives next door."
Now there's a stab.
Creating Dramatic Effect
This stab, in my mind, is how we can use the piano to create a real dramatic effect:
- Stab on the G.
- So we're gonna hit it nice and sharp to C.
Next Chord
The next chord is this:
- We're going to have a C sharp in the left hand.
- Now, this is A again, a nice inversion:
- G in the thumb
- Second finger on the B flat
- Third finger on the C sharp
- Little finger on the E.
Back to the G.
Progression
A D over F sharp:
- Now again, that means:
- D in the right hand
- F sharp in the left hand.
It's E minor 7.
Turnaround
Then, "Hallelujah, I love her so" is a little trick, a little turnaround that we use, which is called a 2, 5, 1.
-
Now, 2, 5, 1 is the root note.
-
So we're in the key of G.
-
The one is the G, which makes the two the second chord of G.
-
If one is G, two is A because it's the next note in the chord.
- So the two is always A minor seven.
-
Okay? So if we think:
- 2 minor seven, which would mean A minor seven.
Sequence
So, A minor seven to the five, which is always A major seven.
- The fifth chord in the scale of G:
- G, A, B, C, D.
Of course, this becomes the D seventh.
- D7 back to G, which is one.
Familiarity
That V I is so familiar to the ear; it feels comfortable, it feels safe. And we know we've ended that sequence.
- So a 2, 5, 1 in this case would be A minor 7, D7 back to G.
Play Along
Okay, so play along with that.
-
Have a look at the A section.
-
I'll play it for you now at tempo in the most simple form and then we can look at how we can develop it.
-
C back to the G 2, 5, 1.
Conclusion
So that's the A section. Now let's move on and have a look at how we can make this bluesy and make it your own!
About the instructor

Le titre de Piano Man du Royaume-Uni a longtemps été détenu par Elton John, Jools Holland et Jamie Cullum. Au cours des cinq dernières décennies, personne d'autre ne s'en est même approché... jusqu'à aujourd'hui ! Tout juste sorti de sa tournée à guichets fermés "Let The Good Times Roll", Tom Seals - "tout simplement peut-être l'avenir du jazz et du blues" - tient le monde au bout des doigts. Son jeu de soliste virtuose, son excellent sens de l'improvisation et sa voix singulière ont conduit de grandes figures de l'industrie à le saluer comme le meilleur pianiste et chanteur de boogie woogie et de blues du Royaume-Uni. À peine âgé de vingt-cinq ans, Seals a déjà donné des concerts à guichets fermés aux quatre coins du globe, dont le légendaire Ronnie Scott's de Londres, une performance éblouissante au Birdland Jazz Club de Broadway à New York, et des collaborations avec Jools Holland. Apparitions notables : 'Gregory Porter & Friends' du Cheltenham Jazz Festival 'Boogie Woogie & Blues Spectacular' de Jools Holland Birdland Jazz Club, New York British Summer Time - Hyde Park Ronnie Scott's Jazz Club Gisburne Park Pop-Up Montreux Jazz Festival Cropredy Festival The Steinway Two Pianos Festival Glastonbury Newark Showground "Drive-In" Blenheim Palace Dans son cours, Tom dévoile les secrets de son jeu - en vous montrant comment faire swinguer les standards au piano, construire d'authentiques lignes de boogie woogie et de blues, et trouver la liberté d'improviser - pour que vous deveniez à votre tour l'ultime Piano Man. Vous pouvez lire la biographie complète de Tom sur www.tomseals.co.uk. read more




