Gagner en confiance dans l'improvisation de solos

Tom Seals
Tom Seals

Lesson time: (3min 5sec)

Tom explique comment se lancer dans des idées de solo en s'inspirant de la ligne mélodique.

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This lesson is part of the course Deviens l'ultime « Piano Man »
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Lesson transcript:

Improvisation Confidence in Music

People often say to me, "How do you feel so confident to go on stage and improvise?"

You go on stage with no idea what you're going to play. I really enjoy that because it allows me to express my creativity and what I'm feeling in that moment.

Starting Simple

Now, if you haven't got a lot of confidence with it to start with, start simple.

  • We know the melody.
  • Take the melody; it's only four notes, but you can have some fun with that.

Changing the Rhythm

The most obvious thing to do is:

  • Don't even change the notes.
  • Just change the rhythm.

For example:

"Some folks like to get away, take a holiday from the neighborhood."

Obviously, if you were singing it, it would sound a bit disjointed, but if you're soloing, you're not going to be singing it, you're just going to be playing.

Advancing the Melody

I'll just play some stuff in the right hand and watch how I advance the melody.

  1. I'll put it on a loop.
  2. I'll keep it quite similar to the original.
  3. Then by the end, let's see where it goes.

And again and again.

The little arpeggios that I'm using to connect one note to the other are simply:

  • The arpeggios of the chord.

Once you've got your head around the chords we're playing, you can mix those chords with:

  • Some blues scales
  • The pentatonic scales

You can just come up with your own thing.

Embrace Improvisation

The thing to remember is:

"It can't be wrong because you're improvising. It's what you're feeling right there."

You can just tell people that's what you're meant to do anyway because that's what I do.

You're only ever:

"Half a note away from a right note."

So, if you hit a note and it doesn't sound quite right, just move it up or down a semitone, and I promise you'll get there in the end.

Have Fun!

For one last time, I'm going to start quite simple and then let's see where it ends up.

Have fun with this!

  • Take your own spin.
  • Make it jazzy.
  • Make it bluesy.

And you too can have your own version of the incredible New York State of Mind!

About the instructor

Tom Seals
Tom Seals

Le titre de Piano Man du Royaume-Uni a longtemps été détenu par Elton John, Jools Holland et Jamie Cullum. Au cours des cinq dernières décennies, personne d'autre ne s'en est même approché... jusqu'à aujourd'hui ! Tout juste sorti de sa tournée à guichets fermés "Let The Good Times Roll", Tom Seals - "tout simplement peut-être l'avenir du jazz et du blues" - tient le monde au bout des doigts. Son jeu de soliste virtuose, son excellent sens de l'improvisation et sa voix singulière ont conduit de grandes figures de l'industrie à le saluer comme le meilleur pianiste et chanteur de boogie woogie et de blues du Royaume-Uni. À peine âgé de vingt-cinq ans, Seals a déjà donné des concerts à guichets fermés aux quatre coins du globe, dont le légendaire Ronnie Scott's de Londres, une performance éblouissante au Birdland Jazz Club de Broadway à New York, et des collaborations avec Jools Holland. Apparitions notables : 'Gregory Porter & Friends' du Cheltenham Jazz Festival 'Boogie Woogie & Blues Spectacular' de Jools Holland Birdland Jazz Club, New York British Summer Time - Hyde Park Ronnie Scott's Jazz Club Gisburne Park Pop-Up Montreux Jazz Festival Cropredy Festival The Steinway Two Pianos Festival Glastonbury Newark Showground "Drive-In" Blenheim Palace Dans son cours, Tom dévoile les secrets de son jeu - en vous montrant comment faire swinguer les standards au piano, construire d'authentiques lignes de boogie woogie et de blues, et trouver la liberté d'improviser - pour que vous deveniez à votre tour l'ultime Piano Man. Vous pouvez lire la biographie complète de Tom sur www.tomseals.co.uk. read more

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