Mélodie utilisant des demi-soupirs de blanche

Tommy Webb
Tommy Webb

Lesson time: (2min 34sec)

Tommy Webb te montre comment les silences de blanche créent de l'espace dans une mélodie, en travaillant un exemple de style country sur une piste d'accompagnement plus rapide.

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This lesson is part of the course Méthode de Guitare : Country & Metal
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Lesson transcript:

Music Lesson: Half Note Rests

Introduction to Half Note Rests Example 2: We're using half note rests. These are the same as half notes in terms of their length, but rather than playing a note, we're being silent.

Backing Track This backing track is a little bit faster, so if you need to work on this one a bit more just to get it under your fingers, that's totally fine.

First Notes

  • Looking at the first notes, we've got C, which we know now is the third fret on the A string.
  • We're playing that twice as quarter notes followed by the rest.

Understanding Half Note Rests

  • We know it's a half note rest because, as we said earlier, in learning to read the whole, it falls down; the half looks like a little hat above the line.
  • If it was a whole note rest, there would be no room for any other notes.

Key Point

  • If it's a whole note rest, it's going to take up the whole bar.
  • Since we've got two notes before it, it can't be a whole note.

Playing Instructions

  • We're playing the third fret on the A string: C twice.

Counting 1, 2, 3, 4.

  • Silent for the second half of the bar.

Bar Two

  • It's the same in bar two, except we're playing E, the octave up.
  • This is our second fret on the D string, and we're holding this for two notes.

Repetition Let's try that again:
1, 2, 3, 4.
1, 2, 1, 2.

  • On for half the bar, off for half the bar.

Bar Three This is a bit tricky going into bar three, as we start with a half note rest, meaning in total, we've got four beats of silence.

Importance of Counting

  • This is why it's so important to count and to start every bar with a one.
  • Otherwise, it gets a little bit tricky.

Next Notes

  • Starting the next one, we're counting one, two, and as we count three, we're going to play our new notes, E on the D string (second fret) to the open D, finishing off with that C lasting for two beats, a half note.

Playing Together So I'll play you bars three and four:
1, 2, 3, 4.
1, 2, 3, 4.

Slow Practice Let's try it really slowly together, counting out loud:

  • Count: One, two, three, four.
  • One, two, three, four.
  • 1, 2, 3, 4, 4.
  • One, 2, 3, 4.
  • 1, 2, 3, 4.

Reminder Again reminding us why it's so important to count in our heads or out loud.

Wrap Up Let's give it a go with the backing track. If you need some extra time, definitely slow it down and build up to the speed of the backing track as it is quite fast.

About the instructor

Tommy Webb
Tommy Webb

Tommy Webb est un guitariste basé à Londres, titulaire d'une licence avec mention (BA Hons) en guitare de l'Academy of Contemporary Music de Guildford, où il a étudié auprès de Sandy Beales (One Direction, Wheatus) et Nicolas Meier (Jeff Beck). Son propre jeu circule librement entre rock, pop, indie, hip-hop, country et metal - précisément le terrain que couvrent ses méthodes de guitare. Tommy a travaillé avec un large éventail d'artistes et de groupes à travers le pays, dont Jarki Monno et Indira May, partageant scènes et sessions avec les guitaristes Paul Murray (Jess Glynne, Zak Abel) et Adam Chetwood (Paolo Nutini, Mark Ronson), ainsi que les batteurs Alex Woodward (Black Honey), Luke Robinson et “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sur scène, il s'est produit au Jazz Cafe en première partie de la chanteuse soul Jocelyn Brown, ainsi que dans des salles et festivals comme Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival et Sundown Festival. Sur disque et à la radio, Tommy a enregistré des sessions live pour BBC Three Counties Introducing, Vibe FM et Pulse 88, avec des morceaux diffusés sur BBC Radio 1 et Radio 2. Il a enregistré dans des studios comme South Lanes Brighton, Hempstead Road et Titan Studios, auprès de producteurs tels que Steph Carter (Gallows, Lyoness) et TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). Dans ses méthodes de guitare, Tommy vous transmet tout ce savoir-faire de musicien en activité - en enseignant les techniques, les sonorités et le feeling qui se cachent derrière des styles bien réels, du rock et de la pop à l'indie, au hip-hop, au country et au metal - pour que vous puissiez jouer la musique que vous aimez vraiment. read more

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