Mélodie utilisant la note Sol
Lesson time: (3min 33sec)
Tommy Webb enseigne une mélodie country utilisant le Sol à vide une octave plus haut, en mêlant blanches et noires à des notes pointées et des silences.
Course preview
This lesson is part of the course Méthode de Guitare : Country & Metal
Watch a preview of the full course below.
Lesson transcript:
Country Part 2 Music Lesson
We've made it to Country Part 2. Here we're going to learn how to:
- Play a G and an A note an octave up
- Understand what dotted notes are
- Play three-beat rests
Introduction
Let's get started!
Example One
In Example One, we see the new note G again, just like D. We've played this before. It's going to be our open G string.
Mnemonic:
Eddie ate donuts. Good boy, Eddie.
It's going to be the good string.
Notes to Remember:
- Eddie
- A
- Donuts
That's the fourth one from the top. We're mixing again half notes and quarter notes, as well as some half note rests and quarter note rests. So, we're kind of using everything we've learned so far and putting it into one section here.
This is a section to really take slowly and work out, especially focusing on the rhythms.
Bar Breakdown
-
First Bar:
- Half note followed by two quarter notes.
- Notes: C, D, E going to F.
-
Second Bar:
- This lasts for two beats.
- Practice Tip: Like you to work on those four notes, blending them together.
- Count: 1, 2, 3, 4.
Tip: Trying to get those transitions as smooth as possible. This might take a few minutes, so feel free to pause and give this a go for a second.
Importance of Technique
This is a great example of why it's so useful to use the one finger per fret method. We're playing so quickly, as opposed to me trying to play like that, all messed up, or especially using just one finger.
This doesn't help us in any way. While we may play the notes, when it comes to more challenging things at speed, we won't be able to play efficiently.
There's no way you can play at that speed with one finger. So, that's why we're establishing those good habits: One finger per fret.
Continuing with Bars Three and Four
Moving on to Bars Three and Four, we start with the G string. This is our new note.
- Open G: This lasts for two beats, followed by another pluck of the string as a quarter note (1, 2, 3).
- Going to an F, which we said was the third fret on the D string.
Final Bar:
- Mixing some things we looked at in pop, which includes a quarter note followed by a quarter note rest.
- Here we're playing an E with a quarter note rest on beat two and finishing on a C with a quarter note rest on four.
Sounding It Out
Those last two bars would sound like this:
Listen closely to the last bar, especially those silences on beats two and four.
Practice Together
So, let's try it together from start to finish at a really steady pace, getting all those rhythms in as well as the new G string:
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 3, 4.
That last bar does feel quite odd. So, listen back to this video.
Reminder: Make sure you're counting the rhythms accurately. It's quite easy to think, I played that wrong, but it's not. It's just about getting those rhythms in there, ensuring we have the rests nice and quiet on beats two and four.
Let's Give It a Go!
Now, let's give it a go with the backing track!
About the instructor

Tommy Webb est un guitariste basé à Londres, titulaire d'une licence avec mention (BA Hons) en guitare de l'Academy of Contemporary Music de Guildford, où il a étudié auprès de Sandy Beales (One Direction, Wheatus) et Nicolas Meier (Jeff Beck). Son propre jeu circule librement entre rock, pop, indie, hip-hop, country et metal - précisément le terrain que couvrent ses méthodes de guitare. Tommy a travaillé avec un large éventail d'artistes et de groupes à travers le pays, dont Jarki Monno et Indira May, partageant scènes et sessions avec les guitaristes Paul Murray (Jess Glynne, Zak Abel) et Adam Chetwood (Paolo Nutini, Mark Ronson), ainsi que les batteurs Alex Woodward (Black Honey), Luke Robinson et “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sur scène, il s'est produit au Jazz Cafe en première partie de la chanteuse soul Jocelyn Brown, ainsi que dans des salles et festivals comme Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival et Sundown Festival. Sur disque et à la radio, Tommy a enregistré des sessions live pour BBC Three Counties Introducing, Vibe FM et Pulse 88, avec des morceaux diffusés sur BBC Radio 1 et Radio 2. Il a enregistré dans des studios comme South Lanes Brighton, Hempstead Road et Titan Studios, auprès de producteurs tels que Steph Carter (Gallows, Lyoness) et TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). Dans ses méthodes de guitare, Tommy vous transmet tout ce savoir-faire de musicien en activité - en enseignant les techniques, les sonorités et le feeling qui se cachent derrière des styles bien réels, du rock et de la pop à l'indie, au hip-hop, au country et au metal - pour que vous puissiez jouer la musique que vous aimez vraiment. read more




