Technique de base
Lesson time: (9min 11sec)
James Barratt aborde les bases de la position des mains à la guitare : la pression de la main qui frette, le placement du bout du doigt juste derrière la case et un jeu de médiator précis de la main droite.
Course preview
This lesson is part of the course Les fondamentaux de la technique de guitare rock
Watch a preview of the full course below.
Lesson transcript:
Guitar Lesson: Hand Positions and Playing Techniques
Hey, guys!
In this lesson, I want to discuss some of the finer points of where we're going to put our hands and how we're going to use our fingers to play the guitar comfortably. Hopefully, this will get you on the path to learning quickly with minimal bad habits.
Left Hand Positioning
We've already talked about labeling our fingers on the left hand:
- Thumb
- First Finger
- Second Finger
- Third Finger
- Fourth Finger
Finding the Best Place on the Fret
First, let's focus on finger positioning on the fret. For instance, on the third fret, there's a relatively large area compared to the size of my fingertip.
- When asked to play the third fret on the bottom E string, you could technically place your finger anywhere within the 2-centimeter space.
- Optimal Position: Right up against the metal of the third fret, not on top of it, but just on the other side. This position gives a nice clean tone.
If you place your finger too close to the back of the fret (closer to the second fret), you might hear buzzes and require much more pressure to achieve tone and sustain.
- Dull Sound: Playing on top of the metal results in a dull sound, which we want to avoid.
Applying Pressure
Now, let's discuss the amount of pressure needed to make the guitar "sing."
When you're first learning, it can be tempting to apply a lot of pressure with your left hand. However, that's often unnecessary.
- Start with the Third Fret on the Bottom E String:
- Rest your finger on the string without pressing down into the fretboard.
- Gradually apply minimal pressure until you hear a clear note.
You don't need to dig in hard; even with minimal pressure, you can achieve a clean tone. As you push harder, the pitch will change.
- Keep in mind that relaxation is key, and excessive pressure is detrimental. It can slow you down and hurt your fingers.
E Minor Pentatonic Scale Exercise
Let's take a look at the E minor pentatonic scale, a common scale in rock and blues. This will also help synchronize our left and right hands.
The Fingering
- Open String: Start with an open E.
- Second Finger: Fret the third fret on the E string.
- Move to the A String: Open A, then use your first finger for the second fret.
- Repeat for Remaining Strings: When you reach the B string, return to open and then fret the third finger on the third fret.
Practice Instructions
- Start slow to maintain control over what you're doing.
- Use your fingertips to ensure clean sounds.
Right Hand Technique
For your right hand, it's helpful to start with all downstrokes initially.
- Position: Anchor your wrist to the bridge of the guitar. This lets your right hand pick out any string easily.
Practice the Scale
- Play the scale with all downstrokes:
- Open E...
- (Continue with your picking pattern)
Right Hand Exercise: E Minor 7 Chord
Now, let's shift focus to the right hand while fretting an E minor 7 chord with your left hand.
Chord Position
- Use your first finger to fret the second fret on the A string.
- The left hand will perform a simple task so we can focus on the right hand.
Alternate Picking Pattern
- We'll do a downstroke followed by an upstroke: Down, Down, Up, Down, Up, Down, Up.
Picking Pattern
- Play the E string.
- Skip to the D string.
- Back to the A string.
- Skip over to the G string, and so on.
This exercise creates a cool cascading sound and is excellent for developing your right hand's accuracy.
Conclusion
You can apply this picking pattern to any chord. Once you've practiced a few open chords, this becomes a great exercise to enhance your playing skills!
If you get started on this now, we'll move on to the next lesson shortly. Happy playing!
About the instructor

James mène une carrière fructueuse de musicien à plein temps depuis l'obtention de son diplôme à l'Academy of Contemporary Music en 2007. Il a ensuite travaillé avec des artistes et producteurs de Stereophonics, Ronnie Dunn, Scissor Sisters et bien d'autres. Il compose également de la musique pour la télévision et le cinéma, comme la publicité télévisée 'Music Pieces' de Sony Walkman et la bande-annonce du film Albatross. Il se décrit comme une sorte de puriste, un musicien pour musiciens, et cette approche de son art a attiré l'attention de grandes entreprises et de producteurs télé. On peut entendre James dans des émissions comme 'Geordie Shore' et même dans des publicités pour la British Heart Foundation, grâce à sa polyvalence naturelle d'artiste. Comme il le dit : « Le meilleur compliment, et le plus fréquent, que l'on me fait lors des sessions pour des clients, c'est que je joue ce qui est "juste" pour la musique. Souvent, tout tient à la simplicité. » « James, c'est du sérieux. Excellent musicien, son remarquable, et je n'hésiterais pas une seconde à le recommander pour n'importe quel projet. Continue comme ça, James ! » - Joey Sykes (Meredith Brooks / Will Champlin / The Babys) Dans Foundations of Rock Guitar Technique, James te transmet exactement cette philosophie et te montre comment bâtir une technique de guitare rock solide et musicale et jouer ce qui est "juste" pour la chanson. read more




