Georgie Fame - I Love the Life I Live, I Live the Life I Love (sur le Nord)
Lesson time: (2min 38sec)
Joe Glossop joue 'I Love the Life I Live' de Georgie Fame sur le Nord, en réglant la percussion Hammond et les tirettes harmoniques pour obtenir un son d'orgue R&B authentique.
Course preview
This lesson is part of the course Le langage authentique du Hammond pour le rock et le R&B
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Percussion Techniques
Introduction: "The last one. Live the life of love, love life I live."
Percussion Technique:
Let's try the percussion on again.
Observations:
- "What have I done there?"
- For this one, I think I'm going to:
- Take the lower manual sound down a little bit
- Maybe take some of the four off
Sound Assessment:
To me, that just sounds a bit thin up there.
- Down there, it would be too low.
You might want to see there.
- "I went for that."
- As I would play it down there, it just sounds too thin.
Addressing Anomalies:
Sometimes you get those kinds of anomalies.
- You think it's just lacking kind of guts a bit.
But you can get pretty close to on this, so I'll stay further down.
- That can be quite handy.
It's quite close to your left hand, so you can nip up there and still be playing a chord.
- "So that works quite well."
Using Drawbars:
So those three, I think you can get very close to.
- If you had a preamp, you could always put those in the Leslie as well.
That gets you a lot closer because you've got that meaty valve amp and also the actual physical movement, which is the whole thing, really.
Conclusion:
But, yeah, those first four drawbars, those kinds of tones, you can get very close.
About the instructor

Joe Glossop est un claviériste de Sheffield qui s'est fait un nom à l'orgue Hammond. Il occupe actuellement le poste d'organiste dans le groupe de tournée de Tom Jones, et a joué avec Van Morrison et James Hunter, ainsi qu'au piano et au Rhodes. Ses cours permettent de tirer le véritable son Hammond de n'importe quel clavier : le réglage des drawbars, le Leslie, la basse walking à la main gauche, et le vocabulaire d'accompagnement et de solo des traditions de l'orgue soul-jazz, blues et rock, de Jimmy Smith à Booker T. read more




