Usar las cuerdas para dar forma a tu sonido

Andrew Levy
Andrew Levy

Lesson time: (6min 4sec)

Andrew Levy explica cómo las cuerdas moldean el tono de tu bajo funk - flatwound frente a roundwound, y cómo unas cuerdas nuevas o gastadas cambian el sonido.

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This lesson is part of the course Libera todo tu potencial en el bajo funk con The Brand New Heavies
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Lesson transcript:

Understanding Bass Strings and Sound

The biggest part of your sound on the bass is actually the strings. I know there are thousands of different types of strings and brands, from nickel-plated options to even colored strings, which you might have seen in some of my performances.

String Longevity

On the bass, I don't tend to change my strings until they start sounding a bit dull. Once, I had a set of strings that lasted a couple of years, and they sounded really good, especially on the kind of dubbier sounds.

For example, there's a song called Brother Sister, where everything's rolled off, the highs are rolled off, and it features very short notes. Even if you have a round wound string, you can still make it sound quite dubby.

Types of Strings

  • Flat Wound Strings:

    • Tend to have that really dead sound, very dubby and deep.
    • Nice for slower songs, but most of our songs aren't like that.
  • Round Wound Strings:

    • These are the scrapey ones.
    • Essential for the classic jazz Fender jazz sound.

I can play anything, just get used to playing anything. You might get called up for a session where they have a bass that fits the track's sound. It's crucial to learn to adapt and pick up any bass and make it sound good.

The sound of the strings can dictate what type of bass line you're playing, making strings incredibly important. However, it's essential not to get too hung up on the technical aspects. Just play funkily.

Focus on Playing

As I've mentioned before, don't get too caught up in the technical side of your bass, whether it's the controls or the strings. It's really about your hands, your soul, and your spirit.

During touring, sometimes you don't get a long sound check. The singer might have a problem with a microphone, or the brass section needs more in their monitors.

  • Preparation Tips:
    • Flat Settings: I usually keep everything flat on the amp. I've trained myself to have all my controls on full.
    • Focus on Playing: This way, there's less to fiddle around with, allowing you to focus on playing, especially during sound checks.

If your guitar isn't bright enough or bassy enough, you can still make it sound bassy without having time to adjust your amp or get the right EQ.

Techniques for Adjusting Sound

I have a little technique I use to increase the sound of the bass on the low strings by playing away from the pickup. Here's how:

  1. I play with this part of my finger to soften the sound by taking away the transient.
  2. I started using this technique out of desperation during a song, I think it was B and H, when I realized that my treble was too high.
  3. I moved my hand away from the pickup while playing on the scratch plate, effectively deadening the sound with my fingers.

As you adjust your position:

  • Playing higher up the neck will give a brighter sound.
  • Playing lower down results in a softer tone.

Exploring Different Sounds

You have the ability to change your sound without adjusting the EQ or volume.

  • Playing Techniques:
    • If a part requires a plucky and syncopated sound, playing down here will yield a short, dry sound.
    • Conversely, if you're playing a lead or chorus part, you can achieve a different tonal quality by positioning your fingers better and using more skin on the strings.

In summary, the way you approach your bass and string choice is crucial, but the fundamentals of your sound come from your technique, so harness that power for a wide variety of tones!

About the instructor

Andrew Levy
Andrew Levy

Andrew Levy es miembro fundador y bajista del grupo de acid jazz The Brand New Heavies. También coescribe la música original de la banda con Simon Bartholomew. Músico autodidacta, Andrew creció escuchando reggae, la radio pop británica, música clásica, jazz funk, 'Lovers' Rock', jazz fusión, house, folk americano, hip hop y acid house: ¡una mezcla ecléctica fruto de crecer en Londres con padres jamaicanos! Sus mayores influencias musicales son James Brown, Vicki Anderson, Earth Wind and Fire, Level 42, Shalamar, Chic, Herbie Hancock, George Duke, George Benson, Marvin Gaye, Thin Lizzy, Miles Davis y Phyllis Hyman. En su curso, Andrew comparte lo que de verdad hace que el bajo funk se mueva: cómo encajar con la batería, asentarte bien en el pocket y sostener el groove como parte de una sección rítmica compacta: el feel, la disciplina y las decisiones que hay detrás del sonido que hizo famosos a The Brand New Heavies. Andrew vive en el suroeste de Londres con su esposa Melissa y sus dos hijos. Sobre The Brand New Heavies The Brand New Heavies, fundada por Andrew Levy y Simon Bartholomew, fue pionera de la escena del acid jazz de los años 90. La pareja se conoció en la escuela de Ealing en 1985 antes de llegar a publicar álbumes en el top 10 del Reino Unido, Estados Unidos y Japón y, en 2020, firmaron un acuerdo de siete cifras con el sello internacional Edel Records para producir cinco nuevos álbumes, el primero de ellos publicado en primavera de 2022. La banda se enorgullece de tocar instrumentos de verdad, no música sintetizada por ordenador ni programada. Como resultado, cuenta con numerosos admiradores dentro de la industria musical, incluido el superproductor Mark Ronson, que cita su álbum homónimo como uno de sus 10 mejores discos de todos los tiempos y atribuye a la banda haberle iniciado en el funk desde el rock a comienzos de los 90. Ronson produjo la versión de la banda de 2019 de "These Walls" de Kendrick Lamar, que ganó seguidores de culto en Radio 2. read more

What's included?

14 lessons (1h 7m)
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