Romper es difícil
Lesson time: (6min 13sec)
Guy Chambers cuenta la historia detrás de ‘No Regrets’, escrita en 1997 sobre la separación de Robbie Williams de Take That, y cómo dio forma a la música para que encajara con el ánimo de la canción.
Course preview
This lesson is part of the course Song Studies: los secretos de composición de Guy Chambers
Watch a preview of the full course below.
Lesson transcript:
An Insight into "No Regrets"
Now we're going to talk about "No Regrets," which was written in the summer of 1997.
Background on the Song
Just to give you a bit of background on this song:
- We had just completed the first album, Life Through A Lens.
- Rob had been to rehab and had come out of it.
- Prior to this, I had been in a band many years before called The Lemon Trees.
The Lemon Trees Experience
I made the classic bad mistake of messing up my second album with The Lemon Trees. Here's a quick recap:
- The band did a first album which performed well; all of the songs got airplay.
- We sold about 30,000 copies, which for an indie band is not bad going.
- When we made a second album, we switched producers, changed our whole sound, and made that classic mistake of going in a different direction.
- Ultimately, we got dropped by the record company, and I was left on my arse.
I never forgot that humiliation and lesson. So, when it came to the Robbie Williams world, I knew we had to act quickly after finishing the first record.
The Importance of the Second Album
I told Rob, "As soon as you get out of rehab, we need to start working on the second record straight away." My goal was clear:
- The second album needed to be just as good as the first, hopefully even better.
- We took any opportunity to write together.
The Birth of "No Regrets"
This song started at a barbecue in a friend's garden. I always had my guitar with me. One of the wonderful things about an acoustic guitar is that:
- You don't have to plug it in.
- You can play it anywhere, even in the garden, with no need for power.
The Creative Spark
The song started with a riff. I probably just played that a couple of times, and then Rob began singing these words almost immediately:
"Tell me the story. We all change. We live our lives together. We're not astray."
I thought, "Wow, what's this story?" Rob expressed he wanted to write a song about Take That and the pain he felt about the band's breakup. I was onboard.
Emotional Significance
I knew this would be quite an important song because Rob hadn't properly dealt with that history yet, musically speaking.
From there, we moved to the line:
"I didn't lose my mind; it was mine to give away."
This particular lyric is my favorite Robbie lyric that he's ever written.
Musical Influences
I've since thought about the influences behind this song. I believe that the next section was inspired by a song by Burt Bacharach, which goes like this. You might have heard it in an advert or in a film, perhaps in one of the Austin Powers films.
Chord Comparisons
The chorus for this song has some similarities to that melody.
- If we try it through "No Regrets," it doesn't quite work, but:
- Bacharach's chords move from G minor to C minor.
- Our chords, however, move from F minor to C minor.
F minor 11 is quite an unusual chord. In pop music, it doesn't appear often, but it creates a lot of tension and paints a sad yet compelling picture.
Production Choices
When we produced the record, we deliberately moved away from the very sad, ballad-like guitar vibe you're hearing now. Our aim was to create a more defiant, uplifting song, which is why:
- There are drums on it.
- A lot of rhythm was added.
It still retains that underlying sadness, but it's a song that's moving somewhere.
About the instructor

Guy Chambers es uno de los compositores vivos de mayor éxito del Reino Unido. Es el autor de las canciones que conocemos de la radio, del cine y de la pista de baile. Canciones que conocemos de nuestras fiestas y nuestras bodas. Canciones que medio mundo puede cantar nota por nota. Canciones que nos transportan en el tiempo a donde solíamos estar. Canciones que nos llevan más allá de lo cotidiano, hacia donde desearíamos estar; 'Angels'; 'Let Me Entertain You'; 'Strong'; 'No Regrets'; 'Millennium'; 'Rock DJ'; 'Feel', por nombrar solo algunas. "Guy fue la primera persona del negocio que me tomó en serio", dice su compañero de composición de toda la vida Robbie Williams. "La primera persona que supo ver al artista en que yo sabía que podía convertirme". La lista de sus demás colaboradores se lee como la realeza de la música pop. A lo largo de los años Guy ha escrito y producido para Diana Ross, Tom Jones, Tina Turner (cuya abrasadora versión de 'Feel' hay que oírla para creerla), Kylie Minogue, James Blunt, Scissor Sisters, Rufus Wainwright y Mark Ronson, entre muchos otros. Se exige constantemente a sí mismo, buscando nuevos empeños creativos, uno de los cuales fue crear una ópera folk infantil basada en el relato corto de Oscar Wilde 'The Selfish Giant', que dedicó a su difunta madre, Pat. El espectáculo se estrenó en el Vaudeville Theatre del West End de Londres en 2018. En 2019 Guy publicó su álbum debut de piano en solitario, 'Go Gentle Into the Light', una colección de algunas de las canciones más queridas que él y Robbie Williams han escrito juntos, con el sencillo 'The Road To Mandalay' alcanzando más de 6 millones de reproducciones. Produjo el álbum oficial del BBC Children in Need 'Got it Covered', con estrellas como Olivia Colman, Jodie Whittaker y Helena Bonham Carter, que alcanzó el número 1 en las listas del Reino Unido. Guy y Robbie Williams se unieron a Chris Heath para componer la música y las letras de la adaptación musical de la RSC del superventas de David Walliams 'The Boy in the Dress', que se estrenó con críticas de cinco estrellas (The Independent, What's On Stage) en el Royal Shakespeare Theatre, en Stratford-Upon-Avon. Guy ha producido el álbum más reciente número 1 en el Reino Unido de Robbie Williams, 'The Christmas Present', y coescribió el sencillo 'Time for Change'. Vive con su esposa Emma y sus cuatro hijos en Camden y en Sussex, donde disfruta de "el buen vino, la buena comida, el cine y prácticamente todo lo francés". "Y de escribir canciones, por supuesto". read more




