Construir líneas de bajo, del punto A al punto B, breve teoría del movimiento de fundamentales, 8 opciones de aproximación
Lesson time: (2min 35sec)
Construir líneas de bajo consiste en realidad en ir del punto A al punto B. Bruce demuestra cómo conectar los acordes con 5 ejemplos distintos que ampliará en el resto del curso.
Course preview
This lesson is part of the course Grooves contemporáneos para bajo eléctrico
Watch a preview of the full course below.
Lesson transcript:
Building Bass Lines
Okay, now we're going to talk about building bass lines, and then we can put that with the rhythm.
Key Concepts
- Building bass lines is really about getting from point A to point B.
Chord Changes
-
In the first example, you've got:
- Four beats per change for each chord change.
-
In example two:
- I purposely made the chords only two beats each to show different ways to connect them.
-
In the third example:
- The first chord is eight beats, the second one is four, and the third one is four.
-
Example four has:
- Eight beats each for the chords.
-
Example five consists of:
- Two beats each for the chords.
Differences in Examples
-
The difference between example five and the others is that:
- Example five, as you can see, has the chords moving by step:
- D, E, F, and then back to E again.
- Example five, as you can see, has the chords moving by step:
-
In contrast, for F7 in example four:
- It moves from B flat 7, either down a fifth or up a fourth.
-
In example three:
- G moving to C is either down a fifth or up a fourth.
-
D is a step from C, but a fifth from G.
- Bringing it back here, we have:
- C to F
- Then we have down a third: D to G.
- Bringing it back here, we have:
-
Each of these sets of changes are either a fifth or a fourth apart.
Cycle Five Motion
- We'll talk a little bit about that; this is called cycle five motion, the most common kind of bass motion we see.
Approaches to Creating Bass Lines
As we look at each of the examples we just reviewed (examples 1 through 5 of the chord progressions), we're going to show each progression using these different approaches to creating the bass lines:
- Root, fifth, and octave.
- Scale down.
- Scale up.
- Triad.
- Inversions.
- Sequences.
- Combination of any or all of the techniques discussed.
About the instructor

Bruce Gertz es un bajista (acústico y eléctrico), compositor, educador y autor galardonado. Es profesor de bajo en el Berklee College of Music, donde enseña desde 1976. Bruce es beneficiario de la beca del National Endowment for the Arts Jazz Performance Award, del Massachusetts Cultural Council Musical Composition Award y de numerosos premios al mejor bajista de los Boston Music Awards, los A.S.C.A.P. Plus Popular Awards, así como de múltiples reconocimientos de la International Association of Jazz Educators y la Jazz Education Network. Bruce también forma parte de la junta directiva de la International Society of Bassists. Ha actuado y grabado con artistas como Gary Burton, Jerry Bergonzi, John Abercrombie, Joey Calderazzo, Kenny Werner, Mick Goodrick, Kurt Rosenwinkel, Billy Hart, George Garzone, Mike Stern, Larry Coryell, Joe Lovano, Cab Calloway y Count Basie, entre muchos otros. En Contemporary Bass Guitar Grooves, Bruce pone toda esa experiencia a tu servicio. Aprenderás a construir líneas de bajo sólidas y con swing y a encajar en grooves auténticos a través del funk, el jazz y la fusión, para que puedas sostener la base rítmica y desenvolverte con confianza en cualquier situación de banda. Su extensa discografía e información adicional pueden encontrarse en www.brucegertz.com. read more




