La sección ‘A’
Lesson time: (3min 36sec)
Tom Seals desglosa la sección ‘A’ de ‘Hallelujah I Love Her So’ de Ray Charles al piano: los acordes, las inversiones y un turnaround 2-5-1.
Course preview
This lesson is part of the course Conviértete en el 'Piano Man' definitivo
Watch a preview of the full course below.
Lesson transcript:
Lesson: A Section in G
Introduction
So let's start with the A section. Of course, we're in the key of G. So just a simple G chord to start with.
Chord Breakdown
- Now, it's a G over B.
- This means:
- Right hand is G
- Left hand is a B.
- This means:
- That's it in the most simplest of forms.
First Bar
The first bar we've got:
"Let me tell you about a girl, C that I know, D7."
You'll see, like we were doing before, looking at an inversion.
- D7: We're moving the C at the top.
- We're going to move it down to the bottom just so it's a bit more comfortable for our hands to play.
First Line
So this first line is as simple as this:
"Let me tell you about a girl that I know and again, she's my baby, she lives next door."
Now there's a stab.
Creating Dramatic Effect
This stab, in my mind, is how we can use the piano to create a real dramatic effect:
- Stab on the G.
- So we're gonna hit it nice and sharp to C.
Next Chord
The next chord is this:
- We're going to have a C sharp in the left hand.
- Now, this is A again, a nice inversion:
- G in the thumb
- Second finger on the B flat
- Third finger on the C sharp
- Little finger on the E.
Back to the G.
Progression
A D over F sharp:
- Now again, that means:
- D in the right hand
- F sharp in the left hand.
It's E minor 7.
Turnaround
Then, "Hallelujah, I love her so" is a little trick, a little turnaround that we use, which is called a 2, 5, 1.
-
Now, 2, 5, 1 is the root note.
-
So we're in the key of G.
-
The one is the G, which makes the two the second chord of G.
-
If one is G, two is A because it's the next note in the chord.
- So the two is always A minor seven.
-
Okay? So if we think:
- 2 minor seven, which would mean A minor seven.
Sequence
So, A minor seven to the five, which is always A major seven.
- The fifth chord in the scale of G:
- G, A, B, C, D.
Of course, this becomes the D seventh.
- D7 back to G, which is one.
Familiarity
That V I is so familiar to the ear; it feels comfortable, it feels safe. And we know we've ended that sequence.
- So a 2, 5, 1 in this case would be A minor 7, D7 back to G.
Play Along
Okay, so play along with that.
-
Have a look at the A section.
-
I'll play it for you now at tempo in the most simple form and then we can look at how we can develop it.
-
C back to the G 2, 5, 1.
Conclusion
So that's the A section. Now let's move on and have a look at how we can make this bluesy and make it your own!
About the instructor

El título de Piano Man del Reino Unido lo han ostentado durante mucho tiempo Elton John, Jools Holland y Jamie Cullum. En las últimas cinco décadas nadie más se ha acercado ni remotamente... ¡hasta ahora! Recién salido de su gira con las entradas agotadas "Let The Good Times Roll", Tom Seals -"posiblemente el futuro del jazz y el blues"- tiene el mundo en la punta de los dedos. Su virtuosismo como solista, sus excelentes dotes para la improvisación y su voz personal han llevado a destacadas figuras del sector a aclamarlo como el mejor pianista y vocalista de boogie woogie y blues del Reino Unido. Con apenas veinticinco años, Seals ya ha ofrecido conciertos con las entradas agotadas por todo el mundo, incluido el legendario Ronnie Scott's de Londres, una actuación deslumbrante en el Birdland Jazz Club de Broadway, en Nueva York, y trabajos junto a Jools Holland. Apariciones destacadas: 'Gregory Porter & Friends' del Cheltenham Jazz Festival 'Boogie Woogie & Blues Spectacular' de Jools Holland Birdland Jazz Club, Nueva York British Summer Time - Hyde Park Ronnie Scott's Jazz Club Gisburne Park Pop-Up Montreux Jazz Festival Cropredy Festival The Steinway Two Pianos Festival Glastonbury Newark Showground "Drive-In" Blenheim Palace En su curso, Tom desvela los secretos que hay detrás de su forma de tocar -mostrándote cómo dar swing a los estándares al piano, construir líneas auténticas de boogie woogie y blues, y encontrar la libertad para improvisar- para que tú también puedas convertirte en el Piano Man definitivo. Puedes leer la biografía completa de Tom en www.tomseals.co.uk. read more




