Lección 1 de 8ArmónicaIntermediate

Repasar lo básico

20:08
En esta lección, PT repasa la postura correcta, cómo relajarte, la posición de las manos, la posición de la boca y consejos para calentar antes de practicar.
Parte del cursoIntroducción al método Gazell en la armónica8 lecciones (1h 11m)

Esta lección forma parte del curso completo. 1 lección es gratis.

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8 lecciones (1h 11m) · 1 gratis
    • 01. Repasar lo básico

      Estás aquí

      20:08

    • 02. El método Gazell y el medio pistón

      Lección gratis

      11:51

    • 03. Las 3 ventajas que ofrece el half valving

      10:58

    • 04. La importancia de doblar con precisión en los agujeros 2 y 3 aspirados

      11:58

    • 05. Ejercicios de bend aspirado en los orificios 2 y 3

      2:22

    • 06. Aprender una melodía de jazz blues

      3:53

    • 07. Improvisar sobre una progresión de acordes de jazz blues

      3:28

    • 08. Añadir una buena línea de vientos a esta progresión

      6:48

Transcripción de la lección

Harmonizing Basics: Lesson One

Introduction

Hi, everybody! PT Gazelle here. I'm with the guys from Music Gurus, visiting me in Nashville. We've got a couple of courses lined up for you today. It's going to be a lot of fun and some hard work, but I think it's going to be great. So, let's jump right into lesson one, which is Checking Your Basics.

The Analogy

I like to think about playing harmonica in terms of golf. If someone doesn't teach you how to hold the club or stand correctly, you won't progress in your own style as you'd like. The same goes for harmonica!

Key Points to Cover

  1. Correct Posture

    • Ideally, you can stand or sit. Sitting is fine as long as you're not slouched over.
    • When sitting up straight, your diaphragm is open, which is crucial for producing a good tone.
  2. Relaxation

    • When we try to do things we're uncomfortable with, we tend to get tight.
    • Relaxation starts with your shoulders. If you can relax them, everything else will follow.
    • Take a deep inhale and exhale to encourage this relaxation. You should feel everything relax from your shoulders down.
  3. Stomach Relaxation

    • I often tell my male friends to let their stomach sag a bit while playing.
    • This may not look great, especially with women in the room, but a relaxed stomach means an open diaphragm, leading to better tone.

Hand Position on the Harmonica

  • I hold the harmonica in a pretty unconventional manner, with my index finger and thumb, wrapping my hands around the instrument.
  • Access to the mouthpiece is important. For those of you who hold it differently, ensure your forefinger is far enough back from the mouthpiece to allow a good seal.
  • If your finger is too close, your tone will sound weak and timid.

Important Considerations for Tone

  • Your top lip should cover about half of the COVID plate for a proper seal, which is crucial for good tone.
  • Check your grip to make sure it allows for a good seal on the harmonica.

Embouchure and Breathing Exercises

  • A good embouchure will give you a richer tone and improve your bending.
  • Warm-Up Exercises: Just like golf, it's important to warm up before playing.

Breathing Exercises

  1. Long Inhale and Exhales

    • Perform three long, slow, and controlled inhale and exhale cycles to open your lung capacity.
  2. Two Draw and Two Blow Notes

    • On a Richter-tuned diatonic harmonica, the two draw and three blow are both G notes. Practice switching between these notes rhythmically.

Additional Exercises

  • You can branch out further by doing this exercise for extended periods, helping you regulate your breathing.

Octave Jump Exercise

  • The goal is to familiarize yourself with the harmonica. This exercise involves both blow and draw notes, and is particularly effective in helping you recognize intervals.

Blow Notes Octave Jump

  • This involves jumping from blow note number one to four, two to five, and so on.

Draw Notes Octave Jump

  • When moving from one draw note to four, remember that the next interval includes a blow note due to Richter tuning.
  • Be aware of this as you practice your draw note octave jumps.

Summary of Lesson One

  • Correct posture: Sit up straight to keep the diaphragm open.
  • Total relaxation: Start with your shoulders.
  • Hand position: Ensure a good seal without changing your grip.
  • Mouth position: Helps isolate single notes, enhances overall tone.
  • Warm-up exercises: Two draw and three blow exercises, followed by octave jumps.

Practice these basics, and I'll see you in lesson two!

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PT Gazell

PT Gazell

PT Gazell se ha ganado su posición como maestro de la armónica diatónica. Tras años como codiciado músico de acompañamiento y de sesión para algunos de los más grandes de Nashville, PT descubrió el half-valving y su música literalmente alcanzó nuevas cotas.

Ningún otro intérprete combina su fraseo, su estilo melódico, su elección de temas y sus habilidades de improvisación como él lo hace: en definitiva, es un estilo completamente suyo. Usando su propio instrumento signature, la diatónica Gazell Method fabricada por Seydel, PT demuestra que la armónica es capaz de mucho más de lo que la mayoría creemos.

¡Disfrútalo!

En sus cursos, PT enseña el half-valving directamente desde la fuente, para que puedas empezar con el Gazell Method, dominar los bends valvulados e incorporarlos a tus propias canciones.

PT Gazell
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Joe Glossop
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Ed O'Brien
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