Improvisar sobre una progresión de acordes de jazz blues
Lesson time: (3min 28sec)
PT Gazell construye un solo melódico sobre un jazz blues, pensando en frases en lugar de riffs e incorporando algo de síncopa.
Course preview
This lesson is part of the course Introducción al método Gazell en la armónica
Watch a preview of the full course below.
Lesson transcript:
Lesson Six: Exploring West Montgomery's "The Thumb"
Hi everybody! Welcome back.
In this lesson, we're going to continue with the West Montgomery tune, "The Thumb," which we learned the head for in the previous lesson.
What to Expect
- You will play a solo in addition to the head before we move on.
- I have written out a cool little solo that incorporates syncopation which you may not be used to.
Starting Off
One of the things I want you to think about is starting on a different note than usual. Typically, in a solo, you might start with the blues scale.
Here's the plan:
- We're going to start on the five blow in the solo.
- You can refer to your chart for reference.
Let's Dive In
So why don't we try this and see how much fun it can be?
- Intro: We will start with the vamp up in front.
- Play the Head: Then we'll play the head once more.
- Solo: Following that, we will move into the solo.
- Final Guitar Riff: One more guitar riff, then we jump back into the structure.
Solo Notes
- Begin with the five blow note, incorporating some syncopation.
- Then, jump to the seven draw note.
These are notes you might not typically consider when playing traditional 12-bar blues.
Expanding Your Skills
I'm trying to encourage you to explore some different possibilities that phrase nicely over the passing chords the guitar player is using on this track.
Practice Tips
- Go back and listen to me play it.
- You have the mix minus available to practice on your own.
- Make sure you get familiar with the melody and the solo.
We'll be back in the last lesson to add one more cool element to this song. Enjoy!
About the instructor

PT Gazell se ha ganado su posición como maestro de la armónica diatónica. Tras años como codiciado músico de acompañamiento y de sesión para algunos de los más grandes de Nashville, PT descubrió el half-valving y su música literalmente alcanzó nuevas cotas. Ningún otro intérprete combina su fraseo, su estilo melódico, su elección de temas y sus habilidades de improvisación como él lo hace: en definitiva, es un estilo completamente suyo. Usando su propio instrumento signature, la diatónica Gazell Method fabricada por Seydel, PT demuestra que la armónica es capaz de mucho más de lo que la mayoría creemos. ¡Disfrútalo! En sus cursos, PT enseña el half-valving directamente desde la fuente, para que puedas empezar con el Gazell Method, dominar los bends valvulados e incorporarlos a tus propias canciones. read more




