Navegar por Ableton Live - Pistas
Lesson time: (7min 44sec)
Isaac Cotec explica cómo funcionan las pistas en Ableton Live, cada una con clips ilimitados pero reproduciendo uno a la vez, y cómo añadirlas, renombrarlas y reproducirlas.
Course preview
This lesson is part of the course Entender los fundamentos de la producción de música electrónica con Ableton Live
Watch a preview of the full course below.
Lesson transcript:
Understanding Tracks in Ableton Live
Now, let's look at what tracks are.
Overview of Tracks
Tracks are what host your clips and manage the flow of the signal. They are essential for:
- Creating new clips
- Recording
- Synthesis
- Effect processing
- Mixing
In the image, it represents the track taken from Ableton, where I have "Pads" as a track that goes down horizontally.
Multiple Tracks
I can have multiple tracks like:
- Pads
- 808 Drums
- And so on
Each track can hold multiple clips. Here are a few important things to know about tracks:
- Tracks can hold an unlimited number of clips.
- A track can only play one clip at a time.
- You can have any number of tracks.
Working with Tracks in Live
Now, within Ableton Live, if I look at my beats, for instance:
- I can drag my beats into a new place, which will create a new track.
- Rename it "Beats" by:
- Right-clicking and selecting Rename
- Pressing Control + R (PC) or Command + R (Mac)
Adding Tracks
Another way to add tracks is:
- Right-click or two-finger click (Mac) and select Insert Audio Track
- Use the shortcuts:
- Control + T (PC)
- Command + T (Mac)
Types of Tracks
You will notice different types of tracks:
- MIDI Track
- Return Track
These can be found under the Sends and Returns tab, which we'll cover at another time. For now, we're just playing with audio.
Playing Clips
With tracks created, here's how playback works:
- Pressing play on one track will play that clip, but playing another one takes over.
- A single track represents one instrument or one person playing at a time. You can't play multiple things simultaneously.
This allows you to:
- Adjust the volume
- Pan the track
- Turn it on or off
If multiple instruments were played, it could become confusing.
Building Your Track
For example, with a bass track:
- Drag in the bass clips.
- Add a beat.
- Change the beat.
- Add a melody.
- Even include percussion.
Pressing play allows it all to start, showcasing the building blocks of live performance.
Mixer Functions
While clips are playing, there are several features available:
- Change volume and panning
- Turn tracks on and off with the bypass button
- Use the solo function, which turns off everything except the soloed tracks
We also have the record button, which we'll discuss later regarding recording audio and MIDI.
Master Volume
The master volume controls the overall output and can be compared to adjusting the speakers' volume.
Session View and Scenes
An essential concept in Session View is the ability to:
- Play clips separately or play an entire line, called a scene.
- Pressing play on a scene triggers everything within that space.
Stopping Clips
There are various ways to stop clips:
- Use the stop buttons on each track.
- For an entire scene, press the stop button for the scene.
- The master stop button stops everything.
While playing a whole scene, you can:
- Use the space bar to stop everything (this completely halts Ableton).
- Use individual stop buttons for more control over specific clips.
Plus, if you stop with the space bar while the metronome is running, everything turns off until you press play again.
Conclusion
This is the basics of clips and tracks within Ableton Live. You can bring things in and out as needed and raise or lower the volume to shape your mix effectively.
About the instructor

Isaac Cotec es, posiblemente, ¡uno de los mejores formadores de Ableton del mundo! Mientras trabajaba en su propia música, empezó a enseñar técnicas de grabación, diseño sonoro y Ableton Live a alumnos particulares y, desde que obtuvo su certificación como Ableton Certified Trainer oficial, ha ayudado a miles de productores a mejorar su nivel y triunfar como músicos. Isaac comenzó a producir música electrónica en 2005 con Psyche Sonics, un grupo experimental que trabajaba con la ciencia y la investigación de los binaural beats y la alteración de la consciencia a través del sonido. Tras salir de gira, siguió componiendo música bajo el alias Cotec y más tarde surgió como el artista Subaqueous, fusionando su pasado electrónico con técnicas de producción tanto futuristas como orgánicas. Hasta la fecha ha publicado 3 álbumes y 4 EPs. Isaac es también fundador y gerente del sello discográfico Invibe Music, que representa a algunos de los mejores artistas de música electrónica del Pacífico Noroeste y se especializa en dance de midtempo. En sus cursos de Ableton Live, Isaac comparte las técnicas de producción, diseño sonoro y composición que ha pasado años perfeccionando: justo las habilidades que emplea para convertir la chispa de una idea en un tema terminado. read more




