Lección 18 de 20Producción musicalBeginner

Controlar clips - Envolventes

13:23

Usa el editor de envolventes de clip de Ableton para automatizar el volumen, el paneo y otros parámetros dentro de un solo clip, dando forma a cómo cambian tus samples a lo largo del tiempo.

Parte del cursoEntender los fundamentos de la producción de música electrónica con Ableton Live20 lecciones (2h 16m)

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Isaac CotecTu gurúIsaac Cotec

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20 lecciones (2h 16m) · 1 gratis
    • 01. Controlar los clips - Clip Box y vista general

      3:33

    • 02. Controlar clips - Launch Box

      10:04

    • 03. Controlar clips - Sample Box

      4:30

    • 04. Controlar clips - Envolventes

      Estás aquí

      13:23

    • 05. Ejercicio - Controlar clips - Ejemplo de Follow Action

      4:20

Transcripción de la lección

Understanding the Clip Envelope Editor

Now we're going to look at the Clip Envelope Editor. Every clip has its own clip envelopes, allowing you to automate and modulate a clip over time. This means you can create:

  • Volume changes
  • Panning adjustments

Since this is per clip, you can have the same original sample in different clips with different effects. Using clip envelopes with audio clips, you can create an abundance of interesting variations in real time, ranging from:

  • Subtle corrections
  • Entirely new and unrelated sounds

Automation

How do we achieve this? Through automation and modulation! This concept can be a little abstract, but I'll clarify it with examples.

Automation is the movement of a control across the arrangement, timeline, or session clip. Let's see that within Ableton.

  1. Start Playback
    We have a clip to begin with, so I'll press play now.

  2. Accessing Control
    I can display the clip this way. The first thing I'll do is pick from the device chooser, selecting Clip (which controls everything related to the clip) or Mixer (which controls the track mixer). Here, I'll pick Track Volume.

  3. Automation in Action
    If I make any changes to this, notice how the fader is changing. That movement represents automation; it's as if someone were there automatically and perfectly moving a fader on an analog mixer in time.

Modulation

There's another feature called Modulation.

  • Every time I click, I create a break point, which I can move to draw in some form of automation.
  • You can also press Ctrl (or Command) + V for the draw tool to draw automation directly.

Difference Between Automation and Modulation

The distinction is crucial:

  • Automation sets the maximum value (like moving a fader to a specific dB), while
  • Modulation varies that maximum value between 0% and 100% of the automation amount.

For example:

  • If automation is set to 0 dB, modulation can range from 0 (silence) to 100% (the set maximum of 0 dB).

Practical Application in Live

Let's see this in action:

  1. Playing Example Clip
    We'll play the clip.

  2. Selecting Parameters
    We can select different parameters like volume and adjust them accordingly. Right off the bat, let's set this to around -13 dB, then spike up to 0 dB to see some movement.

  • Notice the little red dot on the parameter we changed. This indicates an automation adjustment.
  1. Exploring Modulation
    Right-clicking gives us options to Show Modulation or Show Automation. You'll notice a line at the top for modulation.

  2. Creating Linearity
    If I create a break point and set it to 50%, the orange dot represents that halfway point.

  3. Relative Adjustment
    As automation jumps, the 50% point moves along with it, relative to its value. This creates the potential for interesting effects and fades.

Flexibility with Modulation

  • If you decide to delete an automation (right-click, delete), you can still create modulation within your clip.
  • Using the draw tool, you can create modulation to change the beat and still retain the influence of your volume settings.

Effects Automation

Let's extend this concept to effects:

  1. Adding Effects
    By dragging in a Simple Delay, you can automate specific parameters. For example, adjusting the amount based on a snare hit.

  2. Feedback and Reverb
    Adding a reverb can also involve automation. Modulating effects maintain movement, enabling creative freedom in your sound design.

  3. Creating Variations
    Consider creating different versions of a sound:

    • One version with no delay
    • Another with a rising delay
    • And one without any effects

Conclusion

In summary, remember that:

  • Envelopes allow us to modulate and automate effects and parameters.
  • The sample box lets us change volume, transpose, loop, and warp.
  • Launching mechanisms define how clips are triggered and controlled.

With this knowledge, you can explore a much wider palette for your clip manipulation, enabling you to experiment and innovate with sounds without altering the original samples.

And that is the power of the Clip Envelope Editor!

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Isaac Cotec

Isaac Cotec

Isaac Cotec es, posiblemente, ¡uno de los mejores formadores de Ableton del mundo! Mientras trabajaba en su propia música, empezó a enseñar técnicas de grabación, diseño sonoro y Ableton Live a alumnos particulares y, desde que obtuvo su certificación como Ableton Certified Trainer oficial, ha ayudado a miles de productores a mejorar su nivel y triunfar como músicos.

Isaac comenzó a producir música electrónica en 2005 con Psyche Sonics, un grupo experimental que trabajaba con la ciencia y la investigación de los binaural beats y la alteración de la consciencia a través del sonido. Tras salir de gira, siguió componiendo música bajo el alias Cotec y más tarde surgió como el artista Subaqueous, fusionando su pasado electrónico con técnicas de producción tanto futuristas como orgánicas. Hasta la fecha ha publicado 3 álbumes y 4 EPs.

Isaac es también fundador y gerente del sello discográfico Invibe Music, que representa a algunos de los mejores artistas de música electrónica del Pacífico Noroeste y se especializa en dance de midtempo.

En sus cursos de Ableton Live, Isaac comparte las técnicas de producción, diseño sonoro y composición que ha pasado años perfeccionando: justo las habilidades que emplea para convertir la chispa de una idea en un tema terminado.

Isaac Cotec
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Frank Doll
Katie Melua
Ed O'Brien
Imogen Heap
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