El lenguaje de la música
Lesson time: (2min 23sec)
James Rae desmitifica la lectura musical para saxofonistas principiantes: valores de las notas (negras, blancas, redondas), mantener un pulso estable y practicar con un metrónomo.
Copyright © 2023 Universal Edition (London) Ltd., Todas las composiciones son de James Rae salvo que se indique lo contrario.
Course preview
This lesson is part of the course Saxofón: primeras notas
Watch a preview of the full course below.
Lesson transcript:
The Language of Music
Music is a very, very simple language to read. It deals with the first seven letters of the alphabet and generally only counts up to four, making it a very easy code to crack.
Debunking the Myths
There is a stigma surrounding music that it is hard to read and that music theory is dull and awkward.
"It's not. It's a piece of cake if it's done correctly."
Nobody has really come up with an easier way of notating music than the traditional method we know.
The Simple Units
- Note Values:
- Crotchets: 1 beat (in 4/4)
- Minims: 2 beats
- Semibreves: 4 beats
If I clap a pulse, crotchets would be the shortest, while minims and semibreves are much longer.
The Importance of Pulse
Pulse is essential when you play music. Developing a solid pulse is probably the best asset a musician can have because:
"Without pulse, it's like trying to hang washing on an invisible washing line. You just don't know where the notes are going to be placed."
With a pulse, you know exactly where the notes are going to be. This is the ruler with which you measure your note lengths.
Using a Metronome
A metronome is a really useful tool to have. You can get digital or mechanical metronomes, which are great practice tools to keep you in time.
"If you're in time with the metronome, you are correct. If you're not, you're wrong."
Note Naming Conventions
For our viewers in America:
- Crotchets are your quarter notes.
- Minims are your half notes.
- Semibreves are your whole notes.
In the UK, we use:
- Crotchets, Minims, and Semibreves.
Another difference is terminology regarding sections of music:
- Bar (UK) = Measure (USA)
Understanding Time Signatures
The time signature determines how many beats per bar. In 4/4 time:
- We have four crotchet beats per bar (or four quarter note beats).
- This equates to two minims or one semibreve.
"If you grasp that from day one, the rest of the music theory will just fall into place."
Music Notation Basics
As mentioned earlier, music notation involves the first seven letters of the alphabet: A, B, C, D, E, F, G. These are written on what's called the stave or staff, which consists of five lines.
Notes on the Staff
The notes appear on the lines and in the spaces:
-
Lines (from bottom to top):
- E, G, B, D, F
- (Mnemonic: "Every good boy deserves favour")
-
Spaces (from bottom upwards):
- F, A, C, E
- (Spells out the word "face")
How simple is that?
Getting Started with Lessons
When we start into the lessons in the book, we won't deal with anything nearly as complicated. It will be really, really basic, and we'll learn:
- One note per lesson in the early stages to fully absorb the concepts.
The material in the book is written so that even with one note, you'll be playing something that sounds like a proper piece of music. Each piece comes in duet form so that the teacher or another pupil can play along.
Backing Tracks
Additionally, there's a backing track featuring recordings of all band and orchestral instruments to really make you feel like you're playing in a group.
About the instructor

James Rae nació en Tyneside en 1957. Estudió clarinete, clarinete bajo, piano y composición en la Guildhall School of Music and Drama de 1975 a 1979, bajo la tutela de los profesores Yona Ettlinger, Stephen Trier, Meriel Jefferson y Patric Standford, respectivamente. Desde que dejó la Guildhall, ha desarrollado una carrera muy exitosa y variada en tres ámbitos: la interpretación, la composición y la enseñanza. James Rae ha trabajado en numerosas producciones del West End y del Royal National Theatre, incluida la galardonada Oresteia de Sir Peter Hall con música de Sir Harrison Birtwistle, y ha recibido numerosos encargos como freelance con algunas de las principales orquestas y conjuntos del país. Es el líder del Phoenix Saxophone Quartet, que a lo largo de los años ha ofrecido numerosos recitales y emisiones para la BBC, y ha grabado la obra completa de Carey Blyton en dos álbumes, 'The Return of Bulgy Gogo' y 'Sherlock Holmes meets Dr Who'. Como compositor, James Rae es uno de los autores de música educativa para viento más publicados de Europa, con más de 250 publicaciones en su haber, editadas principalmente por Universal Edition. Su música incluye cuadernos de estudio instrumental, sonatas, métodos, transcripciones barrocas, clásicas y de jazz, además de numerosos volúmenes de dúos, muchos de los cuales figuran en todos los principales programas de examen de viento del mundo. También ha escrito cuatro musicales para colegios con Mike Cornick, y entre sus encargos de mayor envergadura se encuentran The Turn of a Wheel, una gran obra para banda de concierto estrenada en noviembre de 1999 para la North Tyneside Concert Band, de la que fue miembro fundador de niño, y la obertura Moving On en 2012. James Rae ha trabajado ampliamente como asesor de programas y compositor tanto para la Associated Board como para el Trinity College London, y ha participado de forma destacada en el desarrollo de los requisitos de lectura a primera vista para viento madera de ambos comités de examen. Como profesor, ha ocupado numerosos puestos tanto en el sector público como en el privado, y actualmente trabaja en la King's College School Wimbledon, donde dirige la Wind Orchestra y la Concert Band, y en la Shrewsbury House School de Surbiton, donde entrena a tres grandes bandas y a un grupo de cámara. Esa experiencia docente recorre toda su serie de saxofón para MusicGurus, que te lleva paso a paso desde tus primeras notas hasta convertirte en un intérprete seguro y con estilo: First Notes, New Keys & Low Notes, Expanding Your Range, Scales & High Notes, Extended Range & Rhythm, y Polish & Style. read more




