Cool A Jig - The Choice Wife (lección)

Steve Baughman
Steve Baughman

Lesson time: (6min 9sec)

Steve Baughman enseña dos jigs: 'The Cool A Jig' (6/8) y el slip jig 'The Choice Wife' (9/8), compartiendo el groove de mano derecha que usa para ambos en afinación Orkney.

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This lesson is part of the course Solos, temas y técnicas de guitarra celta
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Lesson transcript:

Music Lesson: Jig Patterns

I forgot to tell you the names of those two jigs that I just played.

Jigs Introduced

  • First Jig: The Cool A Jig

    • A straight-up six-eight jig.
    • "jiggety jiggety, jiggety jiggety."
  • Second Jig: The Choice Wife

    • A slip jig, which is a nine-eight jig.
    • "So it's 1, 2, 3, 4, 5, 6, 1, 2, 3, 1, 2, 3, 4th, 5, 6, 1, 2, 3."

I use the same right-hand pattern on both of them, even though one's a six-eight jig and the other's a slip jig.

Right Hand Patterns

Speaking of right-hand patterns, now I'm going to take the opportunity to show you the basic jig pattern that I use pretty much on all my jigs.

"I don't necessarily keep the pattern going the whole time through a jig. I'll employ slurs, hammer-ons, pull-offs, open spaces."

This is the basic thing that's going on. Let me show you the basic pattern, then a couple variations on it.

Tuning

Okay, I am back in Orkney tuning, where I'd like you to be if you were going to be practicing all these patterns because it just works out a lot easier here.

Tuning: cgd, gcd

Now, I'm going to keep my index finger on the second string, second fret on the left hand. You might want to have your multi-angle focus on my right hand now because that's where the action is really going to be.

Basic Pattern

The basic pattern is on different strings.

"It doesn't really matter which strings you're doing this on. The important part is the right-hand groove."

Remember, it's not a straight six with a jig.

"It's dotted, jiggety, jiggity, jiggity jiggety."

Variations

Now, another way to play it is by bringing your thumb down to one of the treble strings as opposed to...

Okay, now since that can get pretty darn boring quickly, let me show you a riff from a really well-known Scottish fiddle tune.

  • Tune: The Athol Highlanders
    • (A T, H, O, L, E. Do not mispronounce that.)
    • Here's how it goes, showing how that pattern would apply to that tune.

Now, just to show you that Orkney tuning can also play in a key other than G, I'll do a part of an Irish jig called the Kunla. I'll just employ this pattern to show you how it would work with a different fiddle tune.

Encouragement

Okay. I'm having way too much fun. I just can't stop.

"It really is an invigorating pattern."
"I encourage you to spend as much time as you can just doing them till you internalize them, get them in your blood, and then throw in the left hand. That's the easy part."

Once you have the patterns, you can play pretty much any jig that you would want to play.

Final Thoughts on the Athol Highlanders

Before we move on, let me just alert you to how I would play the Athol Highlanders if I were using my thumb.

Remember I just said that you can do it using these two fingers: pluck, and then middle ring or middle index.

You can also do it with a slightly different feel. I think it's actually a bit more powerful. It may not be right for all jigs, but here's how I would use it:

  • With a thumb
  • As opposed to without a thumb.

Recap

Okay, so that's the basic jig pattern.

About the instructor

Steve Baughman
Steve Baughman

Steve Baughman es uno de los verdaderos originales de la guitarra fingerstyle, un intérprete cuyo trabajo acústico de raíces celtas y afinaciones abiertas ha cosechado el aplauso de la crítica a ambos lados del Atlántico. 'De vez en cuando aparece un álbum capaz de cambiar tu forma de entender la música de guitarra; Farewell to Orkney de Steve Baughman es uno de ellos... Imprescindible para todos los amantes de la guitarra y, en especial, de la música celta.' --Acoustic Guitar Magazine 'Una estrella de la guitarra fingerstyle: muy hábil, reflexivo, discretamente audaz, profundamente lírico y juguetón.' --Radio National, Australia 'El arte y la musicalidad de Steve son de clase mundial, con una dinámica, un timing y una interpretación que siempre hacen aflorar la esencia emocional de la canción.' --Sing Out Magazine '...innovación técnica, virtuosismo e intensidad.' --Acoustic Guitar Magazine 'Un virtuosismo increíble... pone de relieve la belleza serena de la guitarra acústica de afinación abierta.' --Marin Independent Journal (Lástima que no sea el Washington Post. Pero me conformo.) Su álbum Farewell to Orkney figuró entre los 'Mejores álbumes de 2013' de Acoustic Guitar Magazine. Y luego está el reconocimiento que Steve no acaba de tomarse en serio. Está en la lista de Digital Dream Door de los 100 mejores guitarristas de fingerstyle de todos los tiempos, que incluye a algunos ya fallecidos. 'Antes ponía esto en mi material de prensa. Pero luego pensé que era solo la opinión aislada de algún tío o tía en algún rincón del ciberespacio. Cualquiera puede hacer una lista. Además, ¿cuántos guitarristas de fingerstyle puede haber, al fin y al cabo? Debe de ser difícil no entrar en el top 100. Sospecho que los puestos del 81 al 100 son todos nombres inventados. Mientras hayas sacado un CD de guitarra, estás en el top 80. Creo que yo era el 77. A lo mejor ahora me borran de la lista por haber dicho todo esto. Pero agradezco la pasión de quienquiera que la elaborara. Gracias por incluirme; impresionó a mi madre. Puede que ya no lo haga.' En Celtic Guitar Solos, Tunes & Techniques, Steve comparte las afinaciones abiertas y los enfoques de fingerstyle que hay detrás de ese sonido, para que puedas tocarlo tú mismo. read more

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