Una conversación musical y la ley de Pareto
Lesson time: (2min 51sec)
La regla del 80/20. Escúchate a ti mismo tocando un 20%, escucha al resto del conjunto un 80%
Course preview
This lesson is part of the course Hacer crecer grupos de cámara y pequeños conjuntos
Watch a preview of the full course below.
Lesson transcript:
Pareto's Law in Music
We're coming to the kind of final stages of having fun with our chamber group here.
Understanding Pareto's Law
Pareto's Law is about the 80/20 principle:
- If you listen to yourself 20% and listen to the others 80%, you'll gain the maximum benefit.
- You'll be playing at 100% for your part while supporting the other parts.
This principle applies constantly to chamber music.
Techniques for Improvement
I'm not going to make them practice this now, but one really effective technique for every player is to:
- Photocopy the score and play their part while singing another member's piece of music.
Creating Musical Conversations
Another question-and-answer technique that I'd like to use creates a bit of fizz amongst the ensemble and adds a touch of humor. It allows them to have a musical conversation while also engaging in a speaking conversation.
- Here, we're going to go from that place, from 2 before B.
- I'll allow Nikki to ask Isabella and Emily a question.
- It's up to her whether she wants to choose who to speak to first but she's just going to have a go.
If you want to use both hands or one hand, that's fine.
Observations
- Great! Lovely. You can already see a little bit of smiling communication, a bit of ensemble work, and maybe some secretive, intricate conversations that I'm not aware of.
- The group is becoming more independent, moving away from the coach, and working together more, negotiating personalities and having a bit of an inside joke.
Also, I don't know if you noticed the subtlety: when Nikki started talking, it was almost as if she handed her phrase over to Isabella or Emily. She worked her question into a musical idea, approaching it with the backbone of the music to form the foundation.
About the instructor

Reconocida como una de las pianistas más versátiles y carismáticas de Gran Bretaña, Annabel Thwaite disfruta de una carrera diversa como solista, música de cámara, artista de grabación, docente y examinadora, y ha ganado todos los principales premios de acompañamiento, incluidos los prestigiosos Kathleen Ferrier, Gold Medal y Richard Tauber Piano Prizes. Ha colaborado con artistas de renombre como Roberto Alagna, Bryn Terfel, David Kempster y "Only Men Aloud!" Annabel ha grabado para Universal records con el "Scottish Tenor", cuyo álbum fue nominado a un Classical Brit Award y suena con regularidad en Classic FM. Dos veces acompañante del Festival of Welsh Male choirs, sus actuaciones en el Royal Albert Hall fueron grabadas por Sain y emitidas en S4C. También es pianista de sesión de cine, habiendo grabado en Abbey Road la música de la película "Awake", la serie de la BBC sobre Jane Austen "Emma", "The Secret Diaries of Miss Anne Lister" y, más recientemente, ha aparecido tanto en Blue Peter como en "The Rob Brydon Show". "...sin duda ayudada por los acompañamientos de piano evidentemente brillantes de Annabel Thwaite... sumamente disfrutable." En sus cursos de MusicGurus —Learn Christmas Classics on Piano, Learn Classical Favourites on Piano y Growing Chamber Groups and Small Ensembles— Annabel comparte la musicalidad que hay detrás de esa carrera versátil. Aprenderás a dar vida al piano a piezas navideñas y clásicas muy queridas, a desarrollar tu toque y tu fraseo y, apoyándote en su experiencia premiada como acompañante, a descubrir cómo escuchar, liderar y tocar en conjunto al hacer música con otros músicos en grupos de cámara y pequeños conjuntos. read more




